“As much as I claimed that I read for my own edification, it was a lie. The books I was most drawn to were those that were loved by someone in my life. Reading them, I thought, would teach me all I needed to know about them—nice and safe, from a distance. Reading them with one hand, it was easy to have the other keep them at arm’s length.” Romy Sugden writes for The Oyster Review about trying to connect with her estranged father by reading John le Carré‘s A Perfect Spy.
"The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin," writes Variety. Following in the footsteps of its adaptation of Margaret Atwood's The Handmaid's Tale, Hulu is in the beginning stages of adapting Ralph Ellison's Invisible Man. Read our own editor Lydia Kiesling on Ellison's Invisible Man.
As part of their 80th anniversary celebration, the Academy of American Poets recently revamped their website. The updated website now boasts such features as “geographically relevant information (such as local poetry events),” “interviews with renowned poets,” and “free lesson plans tailored for K-12 teachers.” Go take a look for yourself. I recommend starting with Sally Van Doren’s poem, “Thief.”
Jenny Diski's personal take on Roman Polanski and rape, at the London Review of Books.
Looking for more thoughts on My Life in Middlemarch to supplement today's interview? At Salon, Laura Miller reviews Rebecca Mead’s book, which she calls a "moving demonstration" of Middlemarch's power. (You could also read Adelle Waldman's Year in Reading piece about the novel.)