The second time Eudora Welty met William Faulkner, the latter brought the former out on a ride in his boat. She wrote a letter to Jean Stafford in 1949 that described the experience in entertaining detail. At The Paris Review Daily, you can read the letter in full. Pair with: James McWilliams on Faulkner’s novel The Reivers.
During the Cold War, the CIA became entrenched in cultural life through an organization named, ironically enough, the Congress for Cultural Freedom. In order to fight communism, they funded socialist artists. The Awl has compiled a list of literary journals, including the Kenyon Review and The Paris Review, that were once supported by the CIA.
“I was enrolled in a writing program to imagine a cultured life, not just to dream about the rewards of being a writer.” Rigoberto González for Publisher’s Weekly on why he attended and later returned to teach at a M.F.A. program.
It turns out even a museum exhibit of Shakespeare’s works can make for a dramatic experience. At The Daily Beast, Helen Anders demonstrates that there’s a little bit for everybody at the “Shakespeare in Print and Performance” exhibition at the University of Texas. We’ve brought you a bit on the Bard before.
Among Haruki Murakami’s many significant literary achievements is the fact that the author has – since the 1990s – become “responsible for triggering and fueling the Japanese literature boom in South Korea.” Indeed, by “creat[ing] bonds of shared emotions and literary sensibilities among tens of millions of people with different cultural and historical backgrounds,” writes Yoon Sang-In, “Murakami’s literary works have emerged as a great cultural asset that contributes to stability in [the East Asian] region.” (Bonus: Murakami’s latest book – which will be published in the States in 2014 – is flying off the shelves in Japan.)