The second time Eudora Welty met William Faulkner, the latter brought the former out on a ride in his boat. She wrote a letter to Jean Stafford in 1949 that described the experience in entertaining detail. At The Paris Review Daily, you can read the letter in full. Pair with: James McWilliams on Faulkner’s novel The Reivers.
New this week: How to Set a Fire and Why by Jesse Ball; I Am No One by Patrick Flanery; The Long, Hot Summer by Kathleen MacMahon; The Trap by Melanie Raabe; Absalom's Daughters by Suzanne Feldman; The Dream Life of Astronauts by Patrick Ryan; and Angels of Detroit by Christopher Hebert.
"The Time I Spent On A Commercial Whaling Ship Totally Changed My Perspective On The World," a blogger named Ishmael writes, on the sister blog to The Onion. (But I like these titles better.)
"It’s rough out there for artists and writers right now, I know. There are days when you just want to throw in the towel, say fuck it, fake your own death, give insurance fraud a go, and live out of a Winnebago somewhere in remote Ontario. That’s a good plan—that’s a really good plan—but remember, you’ve got options." The Paris Review considers the life of artist Reuben Kadish, who bought a disused dairy farm, made it a viable business in a decade's time, and changed his medium from painting to sculpture in the process. For those of us who refuse to trade in the typewriter, however, there's always our popular piece on how to write a novel.
As Amy Bloom remembers it, the inspiration for her most recent novel came from two sources: the mythos of Old Hollywood and the criminal history of her own family. In The Guardian, she recounts the genesis of Lucky Us, with brief descriptions of her family’s rap sheet.
"This is a story about a woman who was erased from her job as the editor of the most famous literary magazine in America." For Longreads, A.N. Devers writes about Brigid Hughes, the second editor of The Paris Review, who has been all but scrubbed from the magazine's history. See also: Dever's 2011 Year in Reading entry.
Adorable pictures of baby hippos aside, it’s a common misconception that animals are “smiling” at you out of sincere happiness. Probably you’re projecting that onto them, writes Lee Dye in a piece from 2010. For more on the perils of assigning human qualities to other animal species, I highly recommend checking out Jeffrey Moussaieff Masson and Susan McCarthy’s When Elephants Weep.