New this week: Voices in the Night by Steven Millhauser; Gutshot by Amelia Gray; The Dead Lands by Benjamin Percy; The Turner House by Angela Flournoy; The Fishermen by Chigozie Obioma; The Fair Fight by Anna Freeman; Lurid and Cute by Adam Thirlwell; The Given World by Marian Palaia; The Winter Family by Clifford Jackman; Diamond Head by Cecily Wong; and Whispering Shadows by Jan-Philipp Sendker. For more on these and other new titles, check out our Great 2015 Book Preview.
“I’m always trying to get my friends to forward me emails they’ve sent to other people – to their mom, their boyfriend, their agent – the more mundane the better,” writes Miranda July in the treatment for her latest project, We Think Alone, which counts Kareem Abdul-Jabbar, Etgar Keret, and Kirsten Dunst among its participants. “How they comport themselves in email is so intimate, almost obscene — a glimpse of them from their own point of view.”
“Then there’s the no-one-reads-anymore hysteria, the lack of supportive careers for apprenticing writers, the MFA deathtrap, etc. It feels self-indulgent as a critic to say, ‘But the whole critical structure has broken down, let’s talk about that.’ The critic only comes into play when the books are actually produced and put onto the market, meaning their jobs are tied into this whole decaying, rotting mess of an industry.” Jessa Crispin writes on the self-hating book critic.
"When I have an idea that will later, sadly, become a story or a poem, I have a sensation of receiving something. But I do not know if that “something” is given to me by something or someone or if it bursts out on its own." An excerpt from Borges's conversations with the Argentinian poet and essayist Osvaldo Ferrari on writing, memory, and God is now available on The New York Review of Books blog.
Some of the most revered literary novels that have appeared in recent years will be adapted for television. Jonathon Sturgeon writes for Flavorwire, “What do we call this new relationship between prestige and streaming TV and the literary novel? The two now shape each other in peculiar, formal ways—like lovers who share an apartment, they’ve started speaking and looking alike.” Pair with this Millions piece on literary magazines in film and TV.