New this week: Voices in the Night by Steven Millhauser; Gutshot by Amelia Gray; The Dead Lands by Benjamin Percy; The Turner House by Angela Flournoy; The Fishermen by Chigozie Obioma; The Fair Fight by Anna Freeman; Lurid and Cute by Adam Thirlwell; The Given World by Marian Palaia; The Winter Family by Clifford Jackman; Diamond Head by Cecily Wong; and Whispering Shadows by Jan-Philipp Sendker. For more on these and other new titles, check out our Great 2015 Book Preview.
“The problem is that young children have terrible taste and enjoy garbage. Another problem, which compounds the first problem, is that they want to hear the same books hundreds of times in a row. So for all the joys that storytime can offer, it frequently entails a kind of dismal self-abnegation that’s too excruciating even to describe as tedium—an actively painful sense of my precious time on earth being torn from my chest and tossed into a furnace.” Gabriel Roth writes about the terrible Poky Little Puppy for Slate, and his complaints pair well with Jacob Lambert‘s Millions series, “Are Picture Books Leading Our Children Astray?” and “Again, I Ask…“
A new kind of book review: 5 artists interpret and critique literature through works of visual art.
Full Stop editor Anna-Claire Stinebring argues that Roy Lichtenstein’s art has “come full circle” thanks, at least in part, to the popularity of Mad Men and 1960s nostalgia. Matt Weiner’s drama, after all, “explores but also glamorizes the world that produced the material for Lichtenstein’s most famous paintings.”
Not every worthy book finds the audience it deserves as quickly as Edan Lepucki’s California. John Warner writes about the long aftermath of finding his debut, The Funny Man, featured in our 2011 Most Anticipated Book Preview: “I wondered, what if? Maybe this was going to be the next phase of my life, and when people asked me what I did, I’d say that I wrote novels.” His new collection of short stories is Tough Day for the Army.