Most readers nurse particular fantasies of stepping into their favorite books. Whether they dream of enrolling at Hogwarts, or signing up for MI6 with James Bond, they usually have a stable of settings that function as a means of escape. So imagine how strange and conflicting it was to be Jonathan Gottschall, the English professor who got a chance to enter Fight Club.
The international popularity and utility of English doesn’t show any signs of slowing, but what will the language look like after a few generations of increasing usage? The Economist gives a brief answer, but it doesn’t address the ways English is or will be used by different people to tell their stories. Damian Fowler addresses this when he asks, “[W]hat does it mean to have an American point of view,” or to call a book American in tone, as opposed to British or just English-language? In a blog post for The Paris Review, Fowler offers an answer: American novels are characterized by “a spare, sure sense of narrative, reflected in a colloquial voice, free of affectation.”
In exciting micro library news, Book Riot reports that the 50,000-th Little Free Library was “planted” on November 4th, doubling the number of Little Libraries in the U.S. a year and a half ago. We’re all in agreement that big libraries are more vital than ever, though, right?
Since we just can’t seem to get enough of the Shakespeare infographics, here’s another from Electric Literature. This time, it’s the characters and their web of interactions that gets the colorful, 21st century treatment. Last time, it was deaths. Forsooth, at least you probably won’t have to wait long for another one.
“It’s true that when the world did not end when I predicted it would, at the end of last year, in my Netflix special Ragnarok, I realized a number of things, one of which was that I had not made a lot of professional or creative plans on the contingency that the world would continue. I just figured that it would end.” Greg Hunter talks with John Hodgman at The Rumpus.
We’ve seen a lot of interesting literary fundraisers (and are still a bit in awe of Catstarter) but a recent campaign goes beyond the usual Kickstarter: a group of well-known American writers, from Heather McHugh to Philip Levine to Rebecca Makkai, will be selling manuscript critiques later this month to benefit Caregifted.org.