Apocalyptic literature is nothing new, but it may, according to Grayson Clary, be entering a new era. In Bookforum, he argues that Benjamin Percy’s The Dead Lands ushers the genre into its mannerist phase. Sample quote: “The Dead Lands is really the stripped, buffed skeleton of a road story, set up to show off—attractively—an enormous quantity of decorating tropes.” You could also read our interview with Percy.
After securing the necessary funds on its Kickstarter page, and after enduring Lindsay Lohan’s trademark version of “professionalism,” The Canyons looks like it will finally be released next month. The film, which was written by Bret Easton Ellis and directed by Paul Schrader, got its first official trailer this week.
Over thirteen years, John Berryman wrote his famous Dream Songs, composing his most innovative and well-known poetry while his own life began to unravel. In a piece for the LRB, August Kleinzahler reappraises the poet to mark a raft of new editions of his work, citing Randall Jarrell, Saul Bellow and other contemporaries in the process. Pair with Stephen Akey on The Dream Songs.
Finland will pay tribute to author and artist Tove Jansson by adding her likeness to a new two-Euro commemorative coin. This isn’t the first time a country’s wanted to add an author to their currency. (Related: Alex Ohlin looks at the “sad, strange brilliance” of Moomin; and Jansson’s works are recommended by Emily St. John Mandel and Rachel Meier.)
“I will tell them one of the greatest, perhaps the greatest story of all — the story of good and evil, of strength and weakness, of love and hate, of beauty and ugliness. I shall try to demonstrate to them how these doubles are inseparable — how neither can exist without the other and how out of their groupings creativeness is born.” John Steinbeck, American literary titan and author of The Grapes of Wrath, certainly knew a thing or two about creativity.