Recommended Reading: Adam Shatz on Michel Houellebecq’s novel Submission.
Les Mosquees
I Am Jack’s Graphic Novel Sequel
Chuck Palahniuk dropped big news at San Diego’s Comic Con last week: he’s currently working on a follow-up to Fight Club… in the form of a graphic novel. “It will likely be a series of books that update the story ten years after the seeming end of Tyler Durden,” he told attendees. “It will, of course, be dark and messy.”
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Jack White, Publisher
Recommended reading: Lauren O'Neal writes for the LA Review of Books about analog music, Millennial poetry and Jack White's foray into publishing.
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In Memoriam, Edward Albee
"For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward." The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who's Afraid of Virginia Woolf.
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Daily Dose of Fiction
101 Words has an ongoing flash fiction series, featuring the works of four writers every Sunday. This week’s edition includes a story by our own Michael Bourne, originally published in Tin House.
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Bard’s Bard
This week brought news that NOX, Antigonick, and Red Doc> author Anne Carson is headed to Annandale-on-Hudson to become Bard College’s “Visiting Distinguished Writer in Residence.” Carson’s praise has been sung far and wide on The Millions, and even earned admiration from a pair of Janes: both Alison and Hirshfield.
Matthew Stadler’s NAFTA tour
Matthew Stadler of Publication Studio hits NYC on his NAFTA tour just in time for the 4th of July weekend. The Saturday evening begins with a ghost tour of sorts, of the city’s “disappeared bookstores,” and a lavish Mexican dinner will follow. If the feasts in Stadler's latest novel, Chloe Jarren’s La Cucaracha, are any indication, expect copious cocktails and intriguing conversations. More details here.
False Negative
A striking photo of the Brontё sisters is not, in fact, a photo of the Brontё sisters. The women in the photo look a lot like them, but their hometown didn’t have much in the way of photography in the 1840s, and there isn’t any record of the Brontёs getting their photo taken. So how did the picture become known for being something it isn’t? At the LRB’s blog, Alice Spawls explains why. Pair with our own Edan Lepucki on Jane Eyre’s Mr. Rochester.
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