It’s not a commonly held opinion, but Hilary Mantel thinks Henry VIII was a romantic. In a brief interview with Jamie Sharpe, the Wolf Hall author dispels the common view of the oft-married king as a philanderer. “He thought that he had to shape his life and shape his kingdom for each woman,” she says. “Men didn’t think that way in those days.” You could also read Damian Barr’s interview with her at The Millions.
Want to make your writing more dramatic? Try using a typewriter. Tom Hanks professes his love for typewriters in The New York Times. “Everything you type on a typewriter sounds grand, the words forming in mini-explosions of SHOOK SHOOK SHOOK. A thank-you note resonates with the same heft as a literary masterpiece,” he writes. Pair with: A St. Louis man placed typewriters around the city in hopes that residents will share their stories.
Edwidge Danticat gives us one of the best definitions of the short story in an interview with Kima Jones at The Rumpus. “The short story is like an exquisite painting and you might, when looking at this painting, be wondering what came before or after, but you are fully absorbed in what you’re seeing.” They also discuss Danticat’s novel Claire of the Sea Light, Haitian and Dominican relations, and giving yourself permission to tell the truth. To find out what Danticat has been reading, see her 2013 Year in Reading.
“Loss isn’t science; it’s a human reckoning.” The New York Times posts an e-mail conversation between Joyce Carol Oates and Meghan O’Rourke on why we write about grief, following the release of Oates’ memoir A Widow’s Story and in anticipation of O’Rourke’s own memoir of loss, The Long Goodbye.
Millions contributor Magdalena Edwards just published a piece on Norman Rush in The LA Review of Books. It includes the first published excerpt from his forthcoming novel Subtle Bodies, which will be released in 2013. Additionally, Rush will read in a rare appearance at the Hammer Museum in Westwood tomorrow.
In an excerpt of Out of Time, a new book on “the pleasures and perils of ageing,” author Lynne Segal makes a case that many iconic male writers — among them Philip Roth, John Updike and Martin Amis — display in their works a belief that the slow loss of virility is one of the most tragic effects of growing older for men. Citing passages from Toward the End of Time and Portnoy’s Complaint, she finds evidence that these writers’ depictions of masculinity reveal “obdurate social hierarchies of gender and ageing.” (Related: Keith Meatto on advice you can glean from Philip Roth’s work.)