Máirtín Ó Cadhain is probably the most famous Irish writer you haven’t heard of, if only because he wrote all his masterworks in Irish rather than English. His best novel, Cre na Cille, has a simple and arresting premise: a town in Connemara has a graveyard in which the dead can speak. In The Guardian, Kevin Barry (who we interviewed) reads the novel for the first time.
Novels that focus on obsessive characters hinge on persnickety details. The need to depict accurately the mind of an obsessive demands that the novelist overemphasize the trifling and tangential. In The Kenyon Review, Vanessa Blakeslee reviews a new and representative example of the form, The Understory by Pamela Erens. Sample quote: “When the smaller steps of daily life are magnified, does that narrative reach its greatest potential for a unified and powerful resonance?” FYI, Erens has written for us.
The New York Times‘ executive editor Bill Keller caused an uproar three months ago when he railed against Twitter and, specifically, how it was making us all dumb. (Or, after being challenged, was it for some other reason?) This month, he rails against his staff of reporters because they want to write books.