The team behind the film adaptations of the Hunger Games trilogy have chosen their next project, and it’s not another hip YA series. Instead they’re going back to the classics and adapting, what else?, The Odyssey.
A Hunger Games Odyssey
Dealing with Writer’s Block
Writer’s block: the eternal struggle, right? Thankfully, Ted Scheinman asked some of his favorite writers for their remedies, and he compiled them into a helpful list. “Do try these solutions, alone or in combination,” he urges. “’Mix and match’ is the cry.” (Related: You can also check out the “daily routines of famous creative people” for inspiration, as well.)
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One Voice, Two Voice
The unreliable narrator is a bit of a cliche, but it’s still possible to write a good story that features one. At The Rumpus, Alex Dueben talks with Robert Boswell about his new book, which uses a technique Boswell calls “unreliable omniscience.”
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Alfred Kazin’s Brownsville
While reviewing Alfred Kazin's Journals, Christopher Byrd pays a visit to Brownsville and Kazin's boyhood home.
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Ferrante Furor
In case you missed it, this past weekend The New York Review of Books likely outed the author who's been writing under the nom de plume of Elena Ferrante. Condemnation was fast and furious, including pieces by n+1 and this fantastic Twitter thread by critic Lili Loofbourow. We join the chorus of voices who would rather direct the attention back to Ferrante's work. Might we suggest starting with this piece about The Neapolitan Quartet's subversive power?
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What’s Wrong with a Readable Book?
There is a controversy brewing right now in Britain about readability and excellence in literature. Apparently, being "readable" is no longer a compliment.
People were not invited–they went there.
The mansion that inspired The Great Gatsby's West Egg has been privately sold, after sitting on the market for two years.
Thoughts of a Migraineur
“Stories are born unconsciously, but I think the writer determines whether the turn a book has taken is true or false through feeling, which is conscious. I shape my stories in this or that way because the story answers something that is emotionally rather than literally true for me.” At Full-Stop, Siri Hustvedt talks fiction with Tyler Malone.
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