“I am worried about the implications of throwing the label ‘women’s pain’ around individual experiences of suffering, and I am even more uncomfortable with women who feel free to speak for all women. I worry about making pain a ticket to gain entry into the women’s club. And I worry that the assumption of vulnerability threatens to invigorate just the sexist evils it aims to combat by demanding that men serve as shields against it.” In an essay for the Boston Review, Jessa Crispin shares her concerns about the “wounded women” trend in literature right now, citing Leslie Jamison‘s The Empathy Exams and Roxane Gay‘s Bad Feminist as well the Twitter campaign #yesallwomen as particular examples. Pair with Ryan Teitman‘s Millions review of The Empathy Exams.
With the help of the folks at Ploughshares and Medium, Year in Reading alumna Megan Mayhew Bergman is publishing a Choose-Your-Own-Adventure literary short story. To participate, read the first chapter (as well as the introduction) online, then tweet Bergman to tell her where the story should go from there.
“To be awake was a thing many had dreamed of, while continuing to sleep for years, like the famous princess in her coffin of glass. Once I opened a Chinese fortune cookie that said, Some will attain their heart’s desire, alas.” Revisiting this fantastic Anne Carson poem, “The Day Antonioni Came to the Asylum (Rhapsody),” over at The Paris Review. Carson’s newest, Float, is due out in a couple of months.
Ever heard of the Collins Dictionary? It’s the open-source lexicographic collection which apparently accepted “thanx,” but likewise rejected “alleygation” and “mobydickulous.” Consider it the happy medium between The American Heritage and Urban dictionaries.