“I am worried about the implications of throwing the label ‘women’s pain’ around individual experiences of suffering, and I am even more uncomfortable with women who feel free to speak for all women. I worry about making pain a ticket to gain entry into the women’s club. And I worry that the assumption of vulnerability threatens to invigorate just the sexist evils it aims to combat by demanding that men serve as shields against it.” In an essay for the Boston Review, Jessa Crispin shares her concerns about the “wounded women” trend in literature right now, citing Leslie Jamison‘s The Empathy Exams and Roxane Gay‘s Bad Feminist as well the Twitter campaign #yesallwomen as particular examples. Pair with Ryan Teitman‘s Millions review of The Empathy Exams.
The man who designed Brazil’s famous canary-yellow jersey at age 19 won’t wear it–and not out of charming self-effacement. It’s just that “the shirt is not a symbol of Brazilian citizenship. It is a symbol of corruption and the status quo.” And that he happens to support Uruguayan fútbol.
Recommended Reading: Robert Macfarlane at The Guardian on what it means to be living in the Anthropocene age–in which human influence on the planet is permanent and profound–and how our writers and artists are responding to the crisis.
Out this week: The Past by Tessa Hadley; Mr. Splitfoot by Samantha Hunt; The Kindness of Enemies by Leila Aboulela; The Guest Room by Chris Bohjalian; Only Love Can Break Your Heart by Ed Tarkington; The Children’s Home by Charles Lambert; Travelers Rest by Keith Lee Morris; and Jakob’s Colors by Lindsay Hawdon. For more on these and other new titles, check out our just-published Book Preview.