Out this week: The Animals by Christian Kiefer; The Precious One by Marisa de los Santos; A Reunion of Ghosts by Judith Claire Mitchell; The Lost Boys Symphony by Mark Andrew Ferguson; The Wisdom of Perversity by Rafael Yglesias; The Shadow of the Crescent Moon by Fatima Bhutto; The Wednesday Group by Sylvia True; Night at the Fiestas by Kirstin Valdez Quade; and Notes from a Dead House, a new Dostoevsky translation by Richard Pevear and Larissa Volokhonsky (whom we’ve interviewed). For more on these and other new titles, check out our Great 2015 Book Preview.
Tuesday New Release Day: Kiefer; de los Santos; Mitchell; Ferguson; Yglesias; Bhutto; True, Quade; Dostoevsky
Still Fresh
There’s a new trailer out for the book Worn Stories, a collection of pieces about clothing and memory edited by Emily Spivack. The contributor list includes, among others, Heidi Julavits, John Hodgman, Greta Gerwig and Marina Abramović. (h/t The Rumpus)
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Finnegans What, Now?
I hope you had your Wheaties this morning, because this one is a doozy. Scientists at Poland’s Institute of Nuclear Physics have discovered complex “fractal” sentence patterning in classic works of literature that is nearly identical to “ideal” mathematics. Maybe Finnegans Wake does make sense, after all.
Black Lives Matter
Following the recent violence in the U.S., the editors at n+1 offer resources and articles from the archives. You could also read yesterday’s article asking what political writing is or Michael Bourne’s review of Nancy Isenberg’s White Trash.
Jonas Take Me Somewhere We Can Be Alone
We knew she was trouble when Taylor Swift joined the cast of the Weinstein’s adaptation of The Giver. Billboard reports that Swift has signed on for an unspecified supporting role along with Jeff Bridges, Meryl Streep, Katie Holmes, and Alexander Skarsgard. The movie will start filming in Cape Town next week.
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“Our sturdiest atheists”
Recommended Reading: Millions contributor Michelle Huneven on Charles Baxter’s There’s Something I Want You to Do.
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Chicken Soup for the Stall
As literary genres go, bathroom graffiti ranks somewhere between obscenities carved into desks and poorly spelled comments in terms of respectability. Yet it’s still a form that could reveal interesting things, which is why a group of researchers took a series of fact-finding trips to public stalls across America. Their takeaway? “The mere fact of being in a public bathroom could be skewing how people choose to present themselves when they uncap that Sharpie.” Related: Buzz Poole on The History of American Graffiti.