New this week: The Tusk That Did the Damage by Tania James; B & Me: A True Story of Literary Arousal by J.C. Hallman; The Dream of My Return by Horacio Castellanos Moya; The Last Word by Hanif Kureishi; A Little Life by Hanya Yanagihara; and The Discreet Hero by Nobel laureate Mario Vargas Llosa. For more on these and other new titles, check out our Great 2015 Book Preview.
“I wanted to offer my students an alternative to the purely confessional mode. I wanted them to write about themselves without falling into a paralyzingly portentous tone. I wanted more humor in their work, more complexity, more detail, more balance—more good writing. I wanted fewer italicized passages, less use of the breathless present tense. I wanted no more tears in the workshop, no more embarrassing scenes.” Emily Fox Gordon writes about trauma narratives in the classroom, the trouble with writing as therapy, and the key differences between confessing and confiding in an essay for The American Scholar.
“What do women have to do with the internet? We submit that, at least in the eyes of media executives, women are the internet. Women, we mean the internet, are commanding a larger share of the traditional print market. The internet, we mean women, is less responsive to conventional advertising than to commenting, sharing, and other forms of social interaction. Women, we mean the internet, are putting men, we mean magazine editors, out of work. The internet, we mean women, never pays for its content — or for their drinks!” The editors at n + 1 take on the woman-baiting article.