Considering his experience as a musician and comedian, it makes sense that Jacob Rubin wrote his new novel about a performer. The Poser depicts the tumultuous career of a talented impressionist. At Bookforum, Rubin talks about the novel, his career as a screenwriter and his knack for impressions as a child. You could also read his interview with Reif Larsen here at The Millions.
The Mask
“Other creative uses for my fuzzy matter”
Unfamiliar Fishes author Sarah Vowell steps up to bat for this month’s Believer advice column, Sedaratives. She fields questions concerning librarian crushes and dryer lint.
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The Moralist With the Dragon Tattoo
Tim Parks takes Stieg Larsson seriously – sort of – in the NYRB.
Unavoidable Anachronism
What can we learn from anachronisms? That mistakes are “ultimately unavoidable – the best you can hope for is to keep them to a minimum and noticeable only by a tiny coterie of demanding experts” – and that if those mistakes are big enough, they can eventually turn into “enduring ideological constructs.”
Reading Roxane Gay
It’s not often that a writer has an essay collection and a debut novel come out in the space of a few months, but that’s exactly the situation of Year in Reading alum Roxane Gay, whose novel An Untamed State and collection Bad Feminist are both getting published this year. At Bookforum, Margaret Weppler reads An Untamed State, which displays, she writes, “a staggering sense of strength, confidence and integrity.”
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The Peculiar Art of Rare Books Catalogues
“Our catalogues cost £5,000 to print and distribute (in envelopes! with stamps!) to the 800 people on my mailing list, 790 of whom will not order from it.” Rick Gekoski at Guardian looks at the peculiar art (and commerce) of rare books catalogues.
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The Road Trip Novel in the Modern Age
History professor Allen Pietrobon discusses the need to update the canon of road-trip fiction to include women and people of color.
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Close Call
After losing funding last spring, the Orange Prize has experienced a rebirth, gaining new financial backers and changing names; it will now be known as the Women’s Prize for Fiction.
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