You may have read some of our pieces on graphic novels and comics. The form is increasingly seen as an indispensable genre of literature. At Slate, a team of judges select the nominees for their third annual Cartoonist Studio Prize, including Here by Richard McGuire and Can’t We Talk About Something More Pleasant? by Roz Chast.
Most of our internet browsing results in wasted time and too many cat videos, but Nora Crook stumbled upon Mary Shelley’s unpublished letters while researching an obscure 19th-century novelist. In the letters, which range from 1831-49, Shelley fawns over her son and even discusses a 3 a.m. trip to her hairdresser when she got a ticket to the coronation of William IV in 1831. The letters will be published soon in The Keats-Shelley Journal.
“When you want to read a long book, for reasons of weight a paperback must do, and you’ll just have to suck it up re: its inevitably smaller print and wind-catchingly thinner pages.” Here’s a handy guide to reading while you walk from the good people over at The Awl.
“Arguably versioning is a practice reserved for when a literary translator isn’t available or perhaps doesn’t actually exist who can bridge both languages. At worst, it has and can be done by colonisers or writers from major languages mangling minor literatures for sport and without care from a position of imbedded prejudice, power and authority.” Jen Calleja on the difference between translating and versioning of an original text, over at The Quietus.
Steve Jobs, a new movie written by Aaron Sorkin, directed by Danny Boyle, and based on Walter Issacson’s biopic, will be released in theaters on October 23rd. Watch the official trailer and read a review at The Awl. Pair with our essay on Jobs’s legacy and Apple’s private beach.
Sir Frank Kermode, widely acclaimed as Britain’s foremost literary critic, died yesterday in Cambridge at the age of 90. Guardian recalls highlights of his eminent career, including inspiring the founding of The London Review of Books, publishing books ranging from works on Spenser and Donne to last year’s Concerning EM Forster, and being an acclaimed reviewer: Philip Roth admitted that although he dislikes reading reviews, “if Frank Kermode reviewed my book I would read it.”