You may have read some of our pieces on graphic novels and comics. The form is increasingly seen as an indispensable genre of literature. At Slate, a team of judges select the nominees for their third annual Cartoonist Studio Prize, including Here by Richard McGuire and Can’t We Talk About Something More Pleasant? by Roz Chast.
With the help of Johnny Depp, author Douglas Brinkley plans to release Woody Guthrie’s unpublished novel House of Earth next year. Guthrie finished the manuscript—which should yield a finished book about 250-pages long—in 1947, and it concerns a couple from West Texas who fight against banks and lumber companies.
“We find ourselves in a swarm of fellow starstruck souls outside the Sheraton Hotel on Seventh Avenue in Manhattan, churning, squirming.” 25 years after the publication of Bonfire of the Vanities, Tom Wolfe returns to the subject of Wall Street. You can also check out my review of his most recent novel, Back to Blood, over here.
Stephen King talks to James Parker of The Atlantic about how his new short story came to be, his writing process, and the state of fiction today. He also manages to work in his opinions on Judas Priest and Metallica. Read “Herman Wouk is Still Alive” here.
The Great Gatsby, that quintessential American classic, was first published 90 years ago today. Over at Scribner Magazine authors ranging from Anthony Doerr to Christopher Beha remember their first encounters with the novel, and Time has republished its original review of the novel.
Haruki Murakami retired his running shoes to walk to Kobe and rediscover his hometown. “Strictly speaking, it’s not my home town any more. I feel a deep sense of loss at this fact, as if the axis of my memories is faintly, but audibly, creaking within me. It’s a physical sensation,” he writes in an essay for Granta.
The Atlantic discusses the link between science fiction and colonialism. “The fact that colonialism is so central to science-fiction, and that science-fiction is so central to our own pop culture, suggests that the colonial experience remains more tightly bound up with our political life and public culture than we sometimes like to think.”