The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
Poor Gatsby
Cover Story
If you’re a bookseller, you know that terrible book covers are a part of your everyday life. Which is why, when the folks at McNally Jackson saw the cover of Evan S. Connell’s Mrs. Bridge, they conspired and took a stand.
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Consider the Tetrapod
It’s no secret that I’m a big fan of the “Albums of Our Lives” series over at The Rumpus. This week finds Ray Shea taking a look at The Mountain Goats’ The Sunset Tree.
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Jill Abramson on Rejection and Resilience
Jill Abramson, fired last week from her post as New York Times executive editor, broke her silence today with her commencement address at Wake Forest. “I’m talking to anyone who has been dumped,” she said. “Not gotten the job you really wanted or received those horrible rejection letters from grad school. You know, the sting of losing, or not getting something you badly want. When that happens, show what you are made of.” Video here.
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The Shame King
A couple weeks ago, our own Janet Potter reviewed Jon Ronson’s So You’ve Been Publicly Shamed, a new book which examines the rise of public shaming on social media. In the Times, Ronson takes part in the paper’s By the Book series, several entries of which we’ve written about before. Among other things, he recommends The Girl on the Train by Paula Hawkins and Violence by James Gilligan.
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On Fear and Dread
Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”
We Can Get Behind This
We would be remiss not to mention this new ‘Fifty Shades of Muppet’ trailer. Pair with our own essay on literary predecessors in published fan fiction.
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