Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
“That to me was the rub. A writer freed from the need to calibrate with reality, or even be internally consistent, could put a washing machine into the sky along with a rainbow. So why not put a rhinoceros up there too?” On negative literary influences.
Over at The New Inquiry, Alison Kinney writes on narrative opportunity, the true function of the literary orphan, and the rage of the real orphan. This moving piece by Matthew Salesses for The Millions on adoption and searching for oneself in a strange place is a nice complement.
"You don’t have to immediately quit your job to become a writer. You need only to start writing." The New York Times transcribes an excerpt from the "Dear Sugars" podcast with Cheryl Strayed and Steve Almond. For more writerly advice, see our own columnists Swarm & Spark on whether writing a novel will jeopardize your mental health.
Meet the Bosavi woolly rat, a new breed of giant rat recently discovered in the forests of Papua New Guinea. Weighing in at over three pounds and measuring more than three feet long, it's thought to be the largest known species of rat on the planet.