You may have heard that Kazuo Ishiguro recently published his first novel in more than ten years. The Buried Giant, which takes place in Arthurian England, is a departure for Ishiguro, a work of overt fantasy. At Slate, our own Mark O’Connell provides his take on the book. You could also read our own Lydia Kiesling’s review.
The art of book translation becomes even more challenging when you translate a book that hasn't been updated since the Cold War. At Asymptote, Jacek Dehnel discusses how much changed from Ariadna Demkowska's 1962 translation of The Great Gatsby to his current work. "Demkowska was working under very different circumstances: behind the Iron Curtain and without access to Google. It was, therefore, more difficult for her to track down various details, such as those concerning well-known financiers or popular culture starlets of the 1920s."
Literary Hub has an excerpt of an essay by Chris Jackson, Editor in Chief of Random House's One World imprint on how we can actually achieve diversity in the publishing industry. "What’s the payoff of having a more diverse workforce? Well, there’s obviously the moral case to be made—and that’s a case that I think applies to any industry. But in book publishing, I think we have a special obligation, given our central role in shaping the culture." And he shares the origin story of how he started to work with Ta-Nehisi Coates.
Whether or not you’re an avid collector of NYRB Classics like Stoner, you’ll enjoy this profile of series publisher Edwin Frank, conducted by Millions contributor and Oyster Editorial Director Kevin Nguyen. In the profile, Frank delves into the mindset that guides his choices, tying the rise of the American publishing series to the passage of the GI bill. Sample quote: “Someone seeing a book he or she always loved next to a book he or she had never heard about would say, ‘Wait that’s the book I always loved and it’s back in print, maybe I should buy this one too.’”
Every book reviewer has probably, at one point or another, savaged a book a bit too savagely. But if given the opportunity, would you recant? Would you admit that you’d overstepped? Would you feel good about doing so? At an event last month, Snowball’s Chance author John Reed hosted an event at which NBCC critics did exactly that.