You may have heard that Kazuo Ishiguro recently published his first novel in more than ten years. The Buried Giant, which takes place in Arthurian England, is a departure for Ishiguro, a work of overt fantasy. At Slate, our own Mark O’Connell provides his take on the book. You could also read our own Lydia Kiesling’s review.
High Fantasy
The Novel’s Topography
For at Blunderbuss Magazine, What Belongs to You author Garth Greenwell goes through his old notebooks and describes his creative process. Also check out Jameson Fitzpatrick’s review of the novel.
Appearing Elsewhere
Our regular contributor Sonya Chung is interviewed in the latest issue of Bookslut, discussing her new book Long for This World. “I write novels because it’s a place where I can bring all of who I am, and what I know, and what I don’t know but want to know, into a coherent, created world.”
Movies R Fun
Check out the online slideshow of Movies R Fun, a collection of drawings done for the 2010 “Lil’ Inappropriate Golden Books” series by Pixar story artist Josh Cooley. He even sells prints on his website.
What’s Wrong with a Readable Book?
There is a controversy brewing right now in Britain about readability and excellence in literature. Apparently, being “readable” is no longer a compliment.
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a small, diamond-like space
Rachel Syme set out to cover the failure of Dawn Powell’s diaries to sell at auction for the New Yorker and came away with a tender meditation on obsession, New York, and the business of biography.
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Bad News
Whatever your thoughts about the situation in Ukraine, you’ll feel for Year in Reading alum David Bezmozgis, who’s been writing a novel for the past four years that takes place in Crimea. After nearly a half-decade in which few people he talked to even knew where Crimea was, recent events shone a spotlight on the place, which the author had thought of as “locked in a dismal kleptocratic stasis.” (You could also read our interview with the author.)
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