You may have heard that Kazuo Ishiguro recently published his first novel in more than ten years. The Buried Giant, which takes place in Arthurian England, is a departure for Ishiguro, a work of overt fantasy. At Slate, our own Mark O’Connell provides his take on the book. You could also read our own Lydia Kiesling’s review.
Zadie Smith’s On Beauty takes home the Orange Prize.Map of the New Yorker caption contest winners. (via emdashes)Abebooks has put together some special pages celebrating its 10th anniversary. Check out Powers of 10 – which includes the list of most expensive books ever sold on the site – and the timeline, which shows what the site looked like at its humble beginnings. (thanks Laurie.)
“To make money, I’m planning on teaching English, or coaching recreational soccer, or something. But that’s not important because apartments are cheap, and that part, kicking around a ball, or helping Thai children have a better command of the English language, even though I don’t speak a word of Thai, will probably only be a chapter in my book. Those things will provide some nice blog-potential details, too. They’ll show the texture of my everyday life.” Travelling to the East for the sole purpose of writing a memoir.
Not every Craigslist ad is noteworthy, but this property listing, titled “Gorgeous Rural Mountain Acreage” and hailing from Kentucky, is a notable (and sobering) exception. Full-Stop republished the whole thing, which includes warnings that “bears are known to be about” and “beautiful water seeps.”
In 2013, Mo Yan became China’s first resident Nobel Laureate in Literature, which prompted a huge swell of interest in his books in the West. In the Times, Janet Maslin reviews Frog, his latest novel to get an English translation. Sample quote: “Mo Yan, whose real name is Guan Moye, says everything he needs to about the Cultural Revolution with a scene in which Tadpole and other schoolboys eat coal and claim to find it delicious.” You could also read Alan Levinovitz on modern Chinese literature.
“Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?” Roxane Gay reviews Joyce Carol Oates‘s The Sacrifice and simultaneously explains how to write difference well. Hint: it “demands empathy, an ability to respect the humanity of those you mean to represent.”