You may have heard that Kazuo Ishiguro recently published his first novel in more than ten years. The Buried Giant, which takes place in Arthurian England, is a departure for Ishiguro, a work of overt fantasy. At Slate, our own Mark O’Connell provides his take on the book. You could also read our own Lydia Kiesling’s review.
The Amherst College Archives have discovered what could be the second photograph in existence of Emily Dickinson.
James Gleick talks to one of the software engineers behind autocorrect, that “impish god” responsible for turning our ids to I’ds and moviestars to Natalie Portmanteaus. In response, Jen Doll wonders whether we love to hate autocorrect “because when it messes up we’re happily reminded that phones and computers are not actually smarter than people.”
Most writers, unless they’re lucky enough to have an ideal place in which to work, make do with the best space available. For Colum McCann’s father, the shed in his backyard, which “always smelled damp inside, as if the rain rose up out of the carpet,” sufficed for the fiction he wrote after coming home from work. At Page-Turner, the National Book Award winner and Year in Reading alum remembers his father’s retreat.
Sometime Millions contributor and New York Daily News editorial staffer Alexander Nazaryan has kicked off the Daily News‘ new literary blog, Page Views. Nazaryan says, “you may not think of the tabloid as a particularly literary format, but we are going to challenge your assumptions of what constitutes literary/cultural reporting in this town.” His first post, “Don’t tell me the book is dead,” went live this morning.