“Fantasy is a tool of the storyteller. It is a way of talking about things that are not, and cannot be, literally true. It is a way of making our metaphors concrete, and it shades into myth in one direction, allegory in another.” Neil Gaiman reviews Kazuo Ishiguro‘s The Buried Giant for the New York Times Book Review and considers the power, and risks, of fantasy. Pair with Ishiguro’s talk with The Telegraph about the 10 years since the publication of Never Let Me Go.
What can we make of the fact that members of the Guantánamo Bay medical staff have adopted Shakespearean names in “an attempt to avoid being held liable for any mistreatment of detainees?” Globe Theatre artistic director Dominic Dromgoole and Guantánamo detainees lawyer Clive Stafford Smith ponder the question.
Getting sick of people who overuse the word “literally”? A new browser extension kindly replaces instances of the word with “figuratively.” At Slate, Will Oremus tries out a godsend for pedants. (A Millions piece by Fiona Maazel nicely complements his article.)
“The so-called ‘alt-right’ is white nationalism repackaged as retro-chic, and its discourse constantly invokes nostalgia for a golden age in the Confederate South when racism when reigned supreme. The leaders of this project will need to be very careful that they don’t end up just creating a Disneyland for racists.” A coalition of local businesses in Monroeville, Alabama, Harper Lee‘s hometown, plan to open a major tourist attraction built around the late author’s home and fabrications of fictional locations featured in To Kill A Mockingbird. Critics are dubious, reports The Guardian. Perhaps, in lieu of a trip, you’ll accept this essay by Robert Rea about his literary pilgrimage to Lee-land?
Some say 2012 was “the year of the e-single,” and Laura Hazard Owen is here to explain why. While on the topic, you might want to check out Epic Fail, which was our debut into the world of e-singles. Author Mark O’Connell recently sat down with Hazlitt to discuss the book – as well as Guy Fieri.