Heidi Julavits credits her habit of keeping a diary with convincing her that writing might be a viable career path. In her new book, The Folded Clock, she returns to the format of her childhood, crafting a lengthy diary meant to stand on its own as a narrative. In the Times, Eula Biss reads the book and reflects on our notions of the self. Related: Rachel Signer on the Julavits/Sheila Heti/Leanne Shapton project Women in Clothes.
Dear World
Americanah Interview
Last week we mentioned that Chimamanda Ngozi Adichie‘s novel Americanah will, all going well, become a movie starring Lupita Nyong’o. We also mentioned that she wrote about her Year in Reading for us last year. But wait, here’s more! The Rumpus has interviewed Adichie about Americanah, and it’s well worth the read.
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Lauren Wilkinson Wants to Buy Happiness
Lauren Wilkinson reflects on living in tenuous financial balance in her 20s, and feeling, 10 years and a lot of MFA-based debt later, that no amount of money will ever be "enough."
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Literary Doppelgängers Through the Ages
Laurence Scott recounts the best books featuring doppelgängers, from Shakespeare to Agatha Christie to Philip Roth to Joanna Kavenna.
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The Naked Truth About Favorite Poems
Reddit users asked one another to name their all-time favorite poems. Not to be outdone, Poetry Brain asked its Twitter followers to name their all-time favorite poems… to read naked. Since I imagine the latter group is usually only able to read in the buff while at home, I bet they really lament the 2001 demise of Harvard’s “Phone-a-Poem” feature.
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What’s A Guy Got to Write to Get a Bridge Named After Him?
Frank McNally investigates the “dark forces at work somewhere” that prevent Flann O’Brien from being honored with a Dublin bridge. Perhaps we should all start a grassroots campaign to send Mark O’Connell’s O’Brien tribute to Irish civil engineers.
A More Sinister Effect
It’s not always a given that good people make good characters. Over at The Atlantic, Tony Tulathimutte explains how none other than one Philip Roth taught him the importance of showing every aspect of your characters–even the bad ones. Here’s an older piece from the same series in which Paul Lisicky writes about Flannery O’Connor and her “flawed characters.”
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