In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach‘s The Art of Fielding, John Darnielle‘s National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg‘s upcoming City on Fire, about “The Art of Agenting.” Pair with our own Edan Lepucki‘s conversation with her agent, “Don’t Ever Do It for the Money,” and with the opening lines of City on Fire, a Millions exclusive.
"If I've sat on my arse all day—and it’s definitely my English arse I sit on, not an American ass—then what I most want to do come evening is sit on it some more," Geoff Dyer loves to sit. He and other authors discussed why the standing desk is overrated at The New Republic. Here's where our writers work.
The Portable Story Series is accepting submissions to their inaugural contest, judged by Year in Reading alumna Kate Christensen. The theme is hunger, the genre is fiction, the word count is 2000-4000 words, and the deadline is March 28, 2016. The contest benefits three charitable organizations.
"Literary interviews became popular in the eighteen-eighties, but Richard Altick, the late professor of Victorian literature at Ohio State University, traces the public fascination with writers’ homes at least as far back as the eighteen-forties, when there was a vogue for books describing the houses and landscapes of famous authors, complete with engravings and, later, photographs.” On the strangeness of literary celebrity.