“Sometimes you come across sentences that are like cairns, evidence the trail continues, and you are so grateful to have found them.” For the Tin House blog Jacob Rubin considers one such sentence from Charles D’Ambrosio‘s Loitering, which our own Hannah Gersen reviewed for the Millions.
A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, “even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes.”
In their latest Trend Watch, Merriam-Webster announced they’ve been seeing more searches for “Kafkaesque,” a spike they attribute to British publishers writing about Booker winner Han Kang. Since the word is so overused, it’s worthwhile to ask: just what does it actually mean now, anyway? Allison Flood tries to pin it down at The Guardian.
“Rather than outlining your plot in chronological order, try outlining your plot as if it were a candle burning at both ends. Begin the process by writing your first and last chapter simultaneously.” Amazon Author Insights gathers, well, insights on writing from Dan Brown and other famous crime and thriller novelists. (Full disclosure: Amazon helps us pay the bills around here!) We will also never not recommend this evergreen piece from our own archives, of writers on the best advice they ever received.
At the Morgan Library in NYC: “A Woman’s Wit: Jane Austen‘s Life and Legacy.” Read the NY Times review of the show here. And, if your hankering for eighteenth and early nineteenth century English art isn’t sated by the Austen, the Morgan is also offering “William Blake‘s World: ‘A New Heaven Is Begun'”.