Recommended reading: Philip Connors, whose memoir All the Wrong Places was included in our 2015 Book Preview, writes for the New Yorker about his brother’s death and the problems with “cathartic” writing.
Writing About Suicide
Nolite te bastardes carborundorum
The Royal Winnipeg Ballet is adapting Margaret Atwood’s The Handmaid’s Tale into a ballet.
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“manuals for a thinking person”
Jed Perl on Susan Sontag’s journals: “The fascination of Sontag’s prose—and its sadness—is in the extent to which she is describing herself as a person who can never really get beyond a schematic kind of thinking and feeling.”
The Adventures of Getting Rich Quick
“[Mark] Twain wasn’t above the contrivances of capitalism, even as he skewered them. . . From nonage to dotage, in dire straits or in the pink, he was always a capricious entrepreneur, counting the zeroes on an imaginary balance sheet.” The New Yorker writes about the humor writer’s many failed attempts to get very rich. From our archives: Twain and the Wild West.
Book Learnin’
“This is the first time that the college has embarked on such a robust process for measuring Core Educational Competency In Reading Things In Books And Writing About Them, and we really can’t do it without your mandated participation. We have devised this rubric in consultation with the Office of Institutional Research About the Institution, which tirelessly gathers data and then enters it into spreadsheets. Please see their Statement of Very Worthy Goals in attachment 6.”
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The Dangers of Overwriting
“I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa.” Alexander McCall Smith on the dangers of overwriting.