Recommended reading: Philip Connors, whose memoir All the Wrong Places was included in our 2015 Book Preview, writes for the New Yorker about his brother’s death and the problems with “cathartic” writing.
Writing About Suicide
You’d like to think that you’re immune to the stuff…
The lights are on / but you’re not home. / Your mind / is not your own. / Your heart sweats (?) / Your teeth grind. . . . You might as well face it / You’re addicted to Twitter.
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Connected by “And” and “And”
New books of poetry from names like Linda Gregerson and James Tate are always a cause for celebration. Over at the New Yorker, Dan Chiasson takes a look at Gregerson’s Prodigal: New and Selected Poems and Tate’s Dome of the Hidden Pavilion in one extremely thorough essay.
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Literary Graphic Novels
At Paste, eight literary works that deserve the graphic-novel treatment. (via AuthorScoop)
How Could You Like That Book?
“On the other hand, I do spend endless hours mulling over the mystery of what others like. Again and again the question arises: How can they?” Tim Parks asks us why we enjoy reading what we read at The New York Review of Books. For Millions readers’ favorites, check out October’s Top 10.
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T Kira Madden Revels in the Tedium of a Good Recipe
T Kira Madden discusses her favorite foods, and why soup in particular plays a prominent role in her memoir, Long Live the Tribe of Fatherless Girls.
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