“In the six years that I wrote the book, I moved around a huge amount. I was in five or six different states, and spent a lot of time on the road. I think if you’re out in this country so much, you just see a lot of weird stuff. Weird, ominous stuff.” Talking with Laura van den Berg.
Got a crush on Draco Malfoy? J.K. Rowling is concerned. In a piece on her website, she writes: “I have often had cause to remark on how unnerved I have been by the number of girls who fell for this particular fictional character.” Pair with: our own Elizabeth Minkel on Rowling and other authors with second thoughts.
"I couldn’t help but feel that technology had circled back to some of its earliest purposes: broadcasting anti-black violence as widely as possible, as both entertainment and warning." Our own Ismail Muhammad writes for Real Life about the tension between bearing witness and perpetuating paradigms of white supremacy while on the web. And if you haven't yet read it, do spend some time with this review of Nate Marshall's Wild Hundreds, which provides some fortification.
From The Things They Carried to Billy Lynn’s Long Halftime Walk, veteran literary fiction has always been popular, yet women are almost nowhere to be found in war literature. At The New York Times, Cara Hoffman argues that leaving women out of combat literature makes returning from war even more isolating. "They would be made visible if we could read stories that would allow us to understand that women kill in combat and lose friends and long to see their children and partners at home."
"But as anyone with the least knowledge of literature and writing—maybe art in general—will know, concealing what is shameful to you will never lead to anything of value," Karl Ove Knausgaard said in an interview with Jesse Barron for The Paris Review. They discuss memory, personal crisis, artistic shame, and how he would burn My Struggle if there were less copies. Make sure to check out our review.
Recommended Reading: Almost a century ago, two students at Oxford wrote back to Ophelia: “Ophelia racked with phantasy, / And Sigismunda, sick with rue — / Ladies, why did ye choose to die / When all the world was made for you?” Find out more about the poets Doreen Wallace and Eleanore Geach at The Toast. We recently wrote about why authors continually turn to Shakespeare.