Out this week: I Am Radar by Reif Larsen; Discontent and Its Civilizations by Mohsin Hamid; Bitter Eden by Tatamkhulu Afrika; Wonderkid by Wesley Stace; and Lucky Alan, a new story collection by Jonathan Lethem. For more on these and other new titles, check out our Great 2015 Book Preview.
Tuesday New Release Day: Larsen; Hamid; Afrika; Stace; Lethem
“The danger that is Lagos”
“Even after I realize that we are being robbed, that bullets can shatter glass, that being locked in is no help in this situation, I still feel a vague resentment at having to hand the laptop over. It’s mine. It contains my work, a week of writing, a month or more of photography, personal information. I have hesitated only a few seconds but feel as though I have just woken from a trance: briefly, I imagined myself with a bullet in my thigh, imagined myself bleeding out in traffic in Ojota.” At Granta, Teju Cole writes about living in Lagos.
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Jack Kerouac’s Journals
It’s hard to resist reading others’ diary entries, especially when the diaries in question belong to famous writers. Now that a selection of Jack Kerouac‘s journals is being released from The New Yorker archives and made available online, resistance is more or less futile. Originally published in 1998, these journal entries span the years from 1948 to 1950, from just after the long drive that inspired On the Road to the publication of Kerouac’s first book, The Town and the City.
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Poem Piece
“Take your pants off / before you fight.” Apparently Yoko Ono’s releasing a new book of poetry.
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Weltsday
Here’s a Rob MacDonald poem about a spelling bee contestant struggling with the word weltschmerz to get you through your Wednesday.
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New Release Day Continued
A couple more big name books out in paperback this week: David Mitchell’s The Thousand Autumns of Jacob de Zoet and Next by James Hynes. (Thanks, Dan)
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Proto-Stalin
The world isn’t exactly wanting for character studies of Captain Ahab, but Chris Power manages to come up with a novel analysis of the character in this essay about the Moby-Dick antagonist. In Power’s telling, Ahab was valuable in part for what he told us about the 20th century — namely, he foreshadowed the dictators and despots to come. You could also read Hester Blum’s contribution to this essay about the best American novels.
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Once You See It
Presented Without Comment: the newly unveiled logo for the newly enacted College Football Playoff and the new poster for Lars von Trier’s latest film, Nymphomaniac.
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