Out this week: Trigger Warning by Neil Gaiman; There’s Something I Want You to Do by Charles Baxter; Bon Appétempt by Amelia Morris; The Nightingale by Kristin Hannah; The Kind Worth Killing by Peter Swanson; The Marauders by Tom Cooper; We Are Pirates by Daniel Handler; A History of Loneliness by John Boyne; Holy Cow by The X-Files star David Duchovny; and Get in Trouble by Kelly Link. For more on these and other new titles, check out our Great 2015 Book Preview.
Tuesday New Release Day: Gaiman; Baxter; Morris; Hannah; Swanson; Cooper; Handler; Boyne; Duchovny; Link
A Horrifying Triptych
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”
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“Smudge between the lines, fill the sexy man up.”
Mark your calendars. Thrill Murray, a Bill Murray-inspired coloring book, goes on sale this August.
No Bill the Butcher?
If Martin Scorsese develops a TV series based on Gangs of New York but it doesn’t feature Daniel Day-Lewis or Leonardo DiCaprio, will anybody watch it?
The Franzen Printing Error
True Romance
We might mock romance readers for how much Kleenex they go through, but they’re more emotionally perceptive than others. A new study on the interpersonal sensitivity of readers found that romance readers are better at discerning facial cues and emotion than other literati. But don’t worry if you aren’t a Nicholas Sparks fan; reading any genre makes you more empathetic, as we’ve reported on before.
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Amazon’s Programming
Look out, network television. Amazon’s hiring creative executives to shepherd “crowd-sourced scripts” through development.
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