Out this week: Trigger Warning by Neil Gaiman; There’s Something I Want You to Do by Charles Baxter; Bon Appétempt by Amelia Morris; The Nightingale by Kristin Hannah; The Kind Worth Killing by Peter Swanson; The Marauders by Tom Cooper; We Are Pirates by Daniel Handler; A History of Loneliness by John Boyne; Holy Cow by The X-Files star David Duchovny; and Get in Trouble by Kelly Link. For more on these and other new titles, check out our Great 2015 Book Preview.
You may have heard that the pioneering jazz musician Ornette Coleman died last week at the age of eighty-five. As a composer, he was known for his odd melodies, which reliably tested the boundaries of what jazz could accomplish. At The Paris Review Daily, two musicians and writers look back on his legacy.
Six novelists discuss their second-favorite art forms (after writing, of course). Before you click, see if you can guess which one of these folks is most interested in opera: Kazuo Ishiguro, Lavinia Greenlaw, John Lanchester, Alan Werner, Sarah Hall and Colm Tóibín.
Our friend “Tom” finds that music soothes the savage vampire.Joseph O’Neill explores the “wholesome… misanthropy” of Flannery O’Connor.The Nation offers up a depressing assessment of the book business: “It is a confused, confusing and very fluid situation, and no one can predict how books and readers will survive.””Why Donald Duck Is the Jerry Lewis of Germany“NPR talks to the author of the just published biography, Gabriel Garcia Marquez: A Life.Daniel Green launches new online journal Critical Distance.”Will Philadelphia be the place where the American newspaper dies?” (via)The Complete Review considers Bolaño’s Amulet.
Lorrie Moore once said in an interview that what’s good for writing is bad for life. In this vein, we might assume that coffee, which is bad for your health but good for your writing, neatly supports her conjecture. But what if it turns out that coffee is a detriment to creativity? Maria Konnikova investigates research that suggests this might be the case.