Edith Pearlman has been writing stories for a long time, but it’s only recently that she’s received widespread attention for them, as evidenced by this New Yorker piece on the author by James Wood. In it, Wood writes about the ways in which Pearlman is “a fabulist in realist’s clothing,” among other things. Pair with: Josh Cook on Pearlman’s book Honeydew.
When Belarusian investigative journalist Svetlana Alexievich won the Nobel Prize earlier this year, her horrifying and poetic book Voices From Chernobyl exposed a great many readers to the Chernobyl disaster. Now, this piece from The Atlantic takes a look at Chernobyl’s literary legacy over the past three decades.
What can we make of the fact that members of the Guantánamo Bay medical staff have adopted Shakespearean names in “an attempt to avoid being held liable for any mistreatment of detainees?” Globe Theatre artistic director Dominic Dromgoole and Guantánamo detainees lawyer Clive Stafford Smith ponder the question.