Just released: a trailer for an upcoming film adaptation of Madame Bovary starring Mia Wasikowska (Jane Eyre?). Pair with our review of Lydia Davis‘s 2010 translation of Flaubert‘s classic.
Madame Bovary Trailer Released
The Common’s Postcard Auction
Our friends at The Common have organized a Postcard Auction, and you have until May 20 to bid online. Users can bid on the chance to have well-known authors – such as Adam Johnson, Téa Obreht, Chris Ware, and Kiese Laymon – send handwritten postcards to the address of their choosing. Come on, now. This is your chance to get a handwritten note from an Orange Prize-winner.
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“Publish for readers, not authors.”
OR Books recently announced a forthcoming book from Wikileaks founder Julian Assange. Meanwhile, OR’s publisher, Colin Robinson, shares ten ways to “save the publishing industry.”
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Remembering What We Forgot
Recommended Reading: Poet and novelist Carmen Boullosa on her obsession with lost stories and found textual objects, as well as the efficacy of rereading.
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Make Way for Native Excellence
“It’s about what they call Native Excellence — and creating a path to it with its own expectations and standards, instead of relying on those established by white academia or publishing.” BuzzFeed News wrote an in-depth feature on the Institute of American Indian Arts (IAIA), which offers the US’s first indigenous-centered MFA program, Terese Marie Mailhot (author of Heart Berries: A Memoir), and Tommy Orange (author of There There). Read our interview with Marcie Rendon about writing a representative novel for today’s Native Americans.
Casting Call
“Marta Reale, 10, her smile broad, her bangs blanched, made her way to a recreation center’s doorway through the dense crowd of other children, sunlit cigarette smoke and mothers fanning themselves on the seats of scooters. Above her, more children were hanging out the window, and above them, more were crammed onto a balcony.” Jason Horowitz files from Naples, Italy for The New York Times about a casting call for HBO’s upcoming adaptation of Elena Ferrante‘s My Brilliant Friend, noting that it “has already drawn 5,000 children, the vast majority of whom have never heard of Elena Ferrante, and injected a mix of hysteria and hope into parts of Naples that are poor in resources but rich in real characters.” Pair with this piece about The Neapolitan Quartet‘s scope and impact.
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