“The art style also changes from chapter to chapter — some panels fill the pages to the edges and are overwhelming in their dark palette; some seem ordinary in proportion, confident; others fill the space around small figures with words, words, words; and others still have a minimalist, sketch-like quality and barely occupy the page at all — and they aren’t always chapters, or even stories, in the traditional sense.” On MariNaomi’s Dragon’s Breath and Other Stories.
“Deceptively spare”
Top Longreads of 2011
They say you’re only as good as the company you keep. If that’s the case, we’re thrilled to have published Jim Santel‘s piece on The Moviegoer, which has made The Awl staff’s list of “Top Longreads of 2011“.
The Poet’s Novel
Do poets make great novelists? Naja Marie Aidt, a phenomenal poet-novelist herself, picks her favorite novels by poets, featuring Anne Carson’s Autobiography of Red, Ben Lerner’s Leaving the Atocha Station, and more.
Glenn Greenwald to Write a Book
“Glenn Greenwald, the journalist who first reported on a trove of classified documents leaked by Edward J. Snowden, will write a book about National Security Agency surveillance,” reports Julie Bosman. But then, of course, the NSA probably knew about this already.
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Computer Fables
According to The Guardian, “researchers in Australia have developed a computer program which writes its own fables, complete with moral.” No word yet on whether they’re any good.
Please (Don’t) Please Me
Callie Collins sits down with Emily Bell, the editor of Farrar, Straus, and Giroux Originals, in the latest issue of Midnight Breakfast. Bell also published Lucia Berlin’s recent story collection A Manual for Cleaning Women. Bell states: “The voices I publish, they’re not trying to please their readers.”
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Moral Fiction
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: “The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice.” Pair with his recent essay at The Millions on plot and the inciting incident.
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Bodleian Treasures
A first edition of Don Quixote, fragments of Sappho, and a lock of Percy Shelley‘s hair all in one place: Oxford’s Bodleian Libraries.
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