A couple years ago, Robert Birnbaum interviewed Edith Pearlman for The Millions, asking why the highly regarded short story writer didn’t hit it big until recently. Now, in the Times, Laura van den Berg reads Pearlman’s book Honeydew, in a piece that nicely complements Steve Almond’s profile of the author. FYI, Laura van den Berg has written for us.
“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.
New this week: Yannick Murphy's latest novel The Call is out this week, as is Tom Scocca's chronicle of expat life, Beijing Welcomes You (Both are written up in our big second-half preview). Also arriving is a new novel from Helen Schulman, This Beautiful Life, and Bed, the debut effort of David Whitehouse, which has already been a (minor) prizewinner in the UK, and which the publisher compares to A Confederacy of Dunces.
Recommended Reading/Listening: Maia Evrona’s translation and recitation of a poem by Abraham Sutzkever, who has been called one of the primary poets of the Holocaust. Gabriel Brownstein’s essay for The Millions on what it means to be a “Jewish writer” is a good complementary piece.
BOMB Magazine is collaborating with Farrar, Straus & Giroux to commence their "Something Out of Something" design contest. Participating designers, writers, and artists are invited to "draw inspiration from the written work of Israeli short story writer and filmmaker Etgar Keret to create visual art of their own." Winners will receive $500, a personalized copy of Suddenly, a Knock on the Door, and their artwork's appearance in a Keret story or film. You can read the full details on the contest's Tumblr and Facebook pages.