Out this week: Sweetland by Michael Crummey; Glow by Ned Beauman; Frog by the Nobel laureate Mo Yan; Watch Me Go by Mark Wisniewski; A Bad Character by Deepti Kapoor; Blood-Drenched Beard by Daniel Galera; Black River by S.M. Hulse; Etta and Otto and Russell and James by Emma Hooper; My Father’s Wives by the ESPN host Mike Greenberg; and Mobile Library by David Whitehouse. For more on these and other new titles, go read our Great 2015 Book Preview.
Tuesday New Release Day: Crummey; Beauman; Yan; Wisniewski; Kapoor; Galera; Hulse; Hooper; Greenberg; Whitehouse
Mr. Cromwell
Wolf Hall, you may have heard, is now a TV show, which you can watch on PBS (in the US) and BBC Two (in the UK). Is it good? According to Sonia Saraiya, the adaptation of Hilary Mantel’s novel is eminently worth watching, “a rare adaptation from book to screen that makes the most of what the visual medium can provide.” You could also read our interview with Mantel.
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Jefferson on Construction
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Most Misleading Machine Name
Espresso Book Machines are coming to Barnes and Nobles stores in New York, New Jersey and Pennsylvania, allowing customers to “make a physical print book of a hard-to-find book, a public domain title or self publish a book.” Espresso Book Machines also win our prize for “Most Misleading Machine Name.”
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The Internet and Self-Publishing
“Publishers, writers, and readers alike really need to sit down and take this trend [the rise of self-publishing] seriously, rather than using the poetry.coms and AuthorHouses of the world as straw-men, scapegoats, piñatas, or other bludgeonable what-have-yous in the same tired and ineffectual arguments about how the Internet is ruining the publishing industry.”
Dear Diary
“Despite its brevity, the diary is an illuminating document that offers a glimpse into the mind of the artist as a young woman.” The never-before-seen diary of Flannery O’Connor has been published in Image, an arts and faith quarterly, and reveals the shadow of the writer she would become. See also: our own Nick Ripatrazone on teaching O’Connor.
A Few Last Words
How did Bob Mankoff know something was wrong with Roger Ebert? Because he failed to enter The New Yorker’s weekly caption contest, of course. To honor Ebert’s memory, the magazine published his final cartoon captions.
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