New this week: Amnesia by Peter Carey; Outline by Rachel Cusk; The First Bad Man by Miranda July; Binary Star by Sarah Gerard; Bonita Avenue by Peter Buwalda; The Girl on the Train by Paula Hawkins; Refund by Karen Bender; In Some Other World, Maybe by Shari Goldhagen; Harraga by Boualem Sansal; and West of Sunset by Stewart O’Nan. For more on these and other new titles, check out our Great 2015 First-Half Book Preview.
Librarians might frown on P.D.A. in the library, that is, Public Displays of Affection by canoodling college couples. But another kind of P.D.A. might bring a different, more welcome sort of disruption to the library: Patron-Driven Acquisition, a model of e-book licensing that aims to relieve library purchasing agents from spending thousands on books nobody will end up reading.
Book Snobbishness: “Using your personal taste or literary standards to dictate to other people what they should spend their time or money on. It’s not just about looking down on someone for reading romance or science fiction (though that’s part of it, of course), but also about shaming readers for where they spend money or the format in which they read.” Amanda Nelson, managing editor of Book Riot, sits down with 0s&1s to talk about gender, books and blogging. To get your fill of literary blogging, check out our list of must-read literary Tumblrs.
In her new book, Hard-Core Romance, Eva Illouz has published the first serious, book-length academic analysis of the Fifty Shades of Grey. The critically-panned Fifty Shades trilogy, originally a Twilight fan fiction, has sold 32 million copies in the US so far. At The New Republic, William Giraldi seizes the opportunity for a brutal send-up of author E. L. James and the “dreck” she represents. “At least people are reading,” he writes, “You’ve no doubt heard that before. But we don’t say of the diabetic obese, At least people are eating.” Pair with The Millions’ essay on literary predecessors in published fan fiction.
At the Guardian, Brian Dillon writes about great creative minds who had fertile imaginations for the maladies that befell them.
For the most part, Alexis de Tocqueville had good things to say about the young United States in his book Democracy in America, which is probably why we tend to forget that he thought Americans weren’t funny. What de Tocqueville missed, according to a new history of American humor, is the extent to which American funniness emerged from subversive groups of outsiders. In Bookforum, Ben Schwartz takes stock of the arguments in American Fun.