Tuesday New Release Day: Carey; Cusk; July; Gerard; Buwalda; Hawkins; Bender; Goldhagen; Sansal; O’Nan

Charlaine Harris is wrapping up the final installment of her popular Southern Vampire Mysteries series next May. The final novel, Dead Ever After, will be the thirteenth book in the set, which means there’s still plenty of material for True Blood to work with.

How would Rilke do in a job interview? Liz Blood took her best guess.

“People used to wish that life could be as it is in books—that it could have the beauty, drama, and shapeliness that writers gave it. Today, by contrast, we hope desperately that life is not really like our writers portray it; in other words, we hope that writers are not representative men and women, but unfit beings whose perceptions are filtered through their unhealth. It is necessary to hope this, because if life were as it appears in our literature it would be unlivable.” Adam Kirsch explores the downside of literary nostalgia.

GQ offers an insightful interview with The New Yorker‘s Deborah Treisman on the subject of editing David Foster Wallace…while elsewhere, the German translation of Infinite Jest – Un Endlicher Spass – becomes an unlikely hit. (via)

“There’s something to be said for allusive titles: they can be intriguing and draw you in. And obscure titles at least make a change from the current trend for The Woman Who Climbed out of Her Car and Mowed the Lawn. (I made that one up, though it could be a bestseller). But when it comes to titles that are simply misleading, there are just far, far too many.” In a piece for the Guardian Moira Remond considers some of the most misleading and misunderstood book titles, such as John Williams‘s Stoner (which our own Claire Cameron wrote about here.)