“When we think of novels, we often think of chunks of time and the action during those periods. But when I think of time, my teenage years particularly, I think of relationships.” Recent Year in Reading alum Darcey Steinke talks with The Rumpus about being a teenage girl, motherlessness, “quiet” books and her new novel, Sister Golden Hair.
Friend of The Millions Edan Lepucki has a short story in the most recent LA Times West Magazine, “Salt Lick“. Congrats!I’ve heard of publishers throwing in a free bookmark to help sell copies of a new book, but gold?Oriani Fallaci, the fiery (and athiest) Italian journalist who recently passed away, bequethed her library to a Pontifical university.Boston Globe columnist Alex Beam takes the Sony Reader for a spin and isn’t impressed.Did you know that among this year’s finalists is the first graphic novel ever to be in the running for a National Book Award? Gene Luen Yang’s American Born Chinese has been given that honor. “I can’t say it’s a dream come true, because it never even would have occurred to me to dream it. It wasn’t in my reality,” Yang says.John Hodgman is at it again with one of the more antic Washington Post chats I’ve ever encountered. (via Books are my only friends)
There are plenty of good reasons to read classic literature, but Mary Beard reminds us that there’s a different kind of classic that’s worth revisiting and questioning. “You do the ancient world much greater service if you keep arguing with them.”
Sick of feeling inadequate compared to your literary peers? Well, you might want to stop reading, then: turns out Adam Thirlwell published his first book when he was three. (The readers of Granta learn this not from Thirlwell, who seems a bit abashed, but instead from Year in Reading alumnus Jeffrey Eugenides.)
“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.