“The presentation of himself as a damaged outsider, barely holding on, ups the dramatic ante, though it does seem at odds with the accomplished, balanced, commanding prose he appears able to muster with every sentence — not to mention his prestigious awards and teaching stints.” On Charles D’Ambrosio’s Loitering.
The New Western
Thank You Millions Readers
A word we head into the holiday season: Thank you readers of The Millions for your thoughtful engagement with the site, and especially those of you who have generously supported our efforts. Happy Thanksgiving!
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High Expectations
“My sense, though, was that he was a very complicated man. He could enter a room and be the organizer of games and magic tricks and funny stories and a brilliant mimic and holding forth and entertaining and holding the center. But he was also incredibly controlling; he was domineering.” Ralph Fiennes on playing Charles Dickens.
The Little Death
This essay from Garth Greenwell at The New Yorker about gay mystery novelist Michael Nava is as fascinating as it is informative. Then, let Daniel Friedman at The Millions spoil the genre for you with his take on the very few ways to tie up a mystery.
Secondhand Fame
At Read by Famous, you can purchase secondhand books and know their previous owners—actors, comedians, athletes. There’s one week left in the auction, and all of the proceeds benefit charities. Pair with our own Jacob Lambert’s thoughts on thirty minutes at a used book sale.
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The Onion Remembers Salinger
The Onion headline Bunch Of Phonies Mourn J.D. Salinger: “In this big dramatic production that didn’t do anyone any good (and was pretty embarrassing, really, if you think about it), thousands upon thousands of phonies across the country mourned the death of author J.D. Salinger, who was 91 years old for crying out loud.”
Rounding Out Frost’s “Monster Myth”
Over at the New York Times, Jennifer Schuessler previews a forthcoming collection of Robert Frost’s correspondence. It’s a collection, she says, that will go a long way toward rounding out the flat “monster myth” that’s subsumed the poet’s afterlife.
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