The Oxford American has made True Grit author Charles Portis’s “Motel Life, Lower Reaches” available online for the first time. The piece first appeared in an OA issue from 2003, and it’s also available in Escape Velocity, but you should still read it because it’s Charles Portis, damn it, and you’ve only one life to live in this world. (Related: Hobart just published their “Hotel Culture” issue, which is also worth your time.)
Tonight at the Pacific Standard Fiction Series in Brooklyn, Lev Grossman, author of The Magicians, will be reading with Hannah Tinti, author of The Good Thief. As usual, I’ll be hosting; it would be great to see you there. For more information, see Time Out New York.
Generally speaking, it’s a good idea to take Kathryn Schulz’s book recommendations. However when she refers to something – in this case J.M. Ledgard’s Submergence – as “the best novel I’ve read so far this year,” you really ought to listen up. By the time she invokes Philip Gourevitch, Anne Carson, W. G. Sebald, and John Le Carré in her review of that book, you ought to be reaching for your wallet.
“Tom Stoppard isn’t shy about tackling literary giants. The British playwright has rewritten Hamlet for the stage and recently turned Tolstoy’s Anna Karenina into a Hollywood feature. But he struggled with a television adaptation of Ford Madox Ford’s sprawling modernist masterpiece Parade’s End.”
At The Wilmington Star News, a round-up of the news coverage of the suicide of The Virginia Quarterly Review‘s managing editor, Kevin Morrissey, and the accusations that Morrissey’s boss, Ted Genoways, the wunderkind editor-in-chief of VQR, may have played a role in the suicide. In the wake of this sad controversy, the University of Virginia has shut down the 85-year-old journal, pending an internal investigation.