BOMB Magazine sits down with Rebecca Makkai, author of Music for Wartime and The Hundred-Year House. “People love to underrate plot, because it makes them sound like they’re beyond it, like plot is best left to Danielle Steele.“ For more Makkai, check out our interview with her.
“What does it look like to be the child of war? A product of war? What does it look like to be a queer child from a very traditional Confucian family? How does one feel to pay homage to a family but to also, in a way, betray those familial values?” Kaveh Akbar interviews Ocean Vuong about linguistic identity, syntax, and the American gaze for Divedapper.
"I have always had faith that the best writers will rise to the top, like cream, sooner or later, and will become exactly as well known as they should be—their work talked about, quoted, taught, performed, filmed, set to music, anthologized. Perhaps, with the present collection, Lucia Berlin will begin to gain the attention she deserves." An excerpt from Lydia Davis's foreword to Berlin's A Manual for Cleaning Women: Selected Stories is now online.