Over at Catapult, Mensah Demary shares the story of how he got to be a professional editor. As he puts it, “I was asked recently what it takes to succeed as a writer and editor. Actually, I was being asked a more specific question: how do you become a successful writer and editor? I don’t have the answers; I only have my life.” Pair with Kate Angus’s Millions essay on making a living as a poet.
Over at Slate, Mike Vuolo speaks with Bob Garfield about "African-American English," or, as some might say, "Ebonics." The two of them explore its history, misconceptions, and whether or not it's possible or even appropriate for a white writer (such as The Help author Kathryn Stockett) to attempt to write in the dialect of certain African-Americans.
Joshua Rothman writes for The New Yorker about Virginia Woolf, Mrs. Dalloway, privacy and "a gift that you’ve been given, which you must hold onto and treasure but never open."
RIP Karl Miller, one of the founders of The London Review of Books and an editor of the magazine for thirteen years. Originally meant to fill a vacuum left by a strike at the Times Literary Supplement, the LRB grew into “the liveliest, the most serious and also the most radical literary magazine we have,” in Alan Bennett’s words.
A new study out of Stony Brook University employs a complex statistical model to figure out what makes a book successful. Judging books on the basis of Amazon sales, awards won and Project Gutenberg downloads, the scientists determined that successful books have a higher-than-average ratio of self-references, prepositions and coordinating conjunctions. Unsuccessful books, on the other hand? A high ratio of adverbs and location markers.
E.L. Doctorow, the renowned novelist and fiction writer best known for books including Ragtime, Billy Bathgate and the National Book Award-winning World’s Fair, passed away in Manhattan last night at the age of 84. You could read one of our numerous pieces about his work if you’d like to look back on his life and career.