This week in book-related infographics: a look at the deaths and murders in Shakespeare‘s works. Our favorite illustration? The pies that once were Chiron and Demetrius (from Titus Andronicus).
Infographic: Shakespeare, Murder, and Pies
Scrabble For Cheaters
Next Saturday I will be competing (fiercely, one hopes) in Scrabble For Cheaters, a charity tournament to benefit 826CHI, Chicago’s chapter of the national creative writing organization (founded by Dave Eggers) that provides free tutoring, field trips, writing workshops and the like to over 4,000 Chicago students a year. To support their work, and augment my ability to cheat during the tournament, click here and scroll down to my team – The Dillon Panthers. Thanks!
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“Lyric Essay as Perversion”
“In the twenty-first century, the lyric essay at its worst is a utility or an app; at its best, it’s a cross-hatch of a genre in which things cross over; implicitly chiasmic, it’s a space in which incompatible discourses are allowed to intermingle; wherein poetry and prose create productive frictions, enabling a new, unnatural form, illegible and readable for the first time.” Mary Cappello writes about the lyric essay and Djuna Barnes.
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NBCC Finalist Party
The NBCC finalists will be announced tonight at an event in New York City, and you’re invited! The event will feature drinks, hors d’ouevre, and (probably) a lot of reading glasses.
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Candlepin Bowling with Elizabeth McCracken
Elizabeth McCracken discusses her new novel, Bowlaway, with Ann Patchett in a new interview for Patchett's bookstore, Parnassus Books.
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Red Scare
“Marx the anti-Communist is an unfamiliar figure; but there were undoubtedly times when he shared the view of the liberals of his day and later, in which communism (assuming anything like it could be achieved) would be detrimental to human progress.” Wait, what? The New York Review of Books reviews Karl Marx: A Nineteenth-Century Life.
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Tragedians
As part of their Literary Ladies Cage Fight series, The Butter pitted two of Shakespeare’s most well-known characters against each other, staging contests between Hamlet’s Ophelia and Romeo and Juliet’s Juliet. Who won, you ask? Only one way to find out. You could also read Stefanie Peters on women and Shakespeare’s plays.
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