Recommended Reading: Janet Maslin on Peter Carey’s Amnesia. You could also read our own Garth Risk Hallberg on Carey’s His Illegal Self.
Gough’s Tale
The Art of the Essay
What makes an essay literary? Over at the Kenyon Review, the editors explore language as an end in itself. Also check out H.S. Cross’s Millions essay on writing what you don’t know.
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The Real Deal
“Now, I’m not going to lie. It’s annoying, to have to take time out of my incredibly busy writing schedule in order to spell it all out for young people, just because they spend most of their daylight hours being urged by hoary old theorists in threadbare sweaters to write experimental fiction that will never sell. But I care deeply about the young—all of them, the world’s young—so of course I am humbled and honored to share the trade secrets embedded in my rigorous daily work schedule.” Heather Havrilesky on her writing life.
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The M.F.A.? C’est Super!
If you’ve ever wondered what the life of an M.F.A. student looks like, here’s your answer.
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“Working on some short stories but … not that into it”
HTML Giant contributor Jimmy Chen has written a masterful and hysterical piece for McSweeney’s entitled “Raymond Carver’s OKCupid Profile, Edited by Gordon Lish.”
Tuesday Links
Clusty has unveiled a very cool Shakespeare search engine, allowing one to sift through all the bard’s works with the push of a button.The Washington Post is hosting live lunchtime chats with various authors over the next two weeks to coincide with the 2006 National Book Festival. The highlight: Geraldine Brooks, author of Pulitzer Prize-winning The March on Thursday.Just announced: Another Hannibal book from Thomas Harris called Hannibal Rising, prompting Ed to call Harris “The Laziest Titler in the Publishing Industry.”
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Tuesday New Release Day: Feldman; Thornton; Akhtiorskaya; La Seur; Bloom; Harkaway
Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
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Should I stay or should I god-OH?
How do you pronounce the name of the titular character from Samuel Beckett’s play, Waiting for Godot? Is it GOD-oh or is it god-OH? Or is it a third variant altogether? While investigating the question for The New York Times, Dave Itzkoff has found that there may not be a correct answer, after all.
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It Doesn’t End on Tuesday, Either
Yesterday was Fat Tuesday down in New Orleans, and if you missed the action down there, you can certainly get a taste of the local flavor by reading Rick Bragg’s 1997 piece in The New York Times, “New Orleans Doesn’t Wait for Friday.” (via)