“’When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,’ Mr. George said. ‘It may simply come down to wisdom. Like the greats, Edith has it.'” Steve Almond gives an overview of Edith Pearlman‘s writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
"If you remember the sixties, then you weren't really there." We've all heard the saying, but in case you actually forgot what the sixties were like, I have good news for you. The complete archive of Oz Magazine, sometimes called the most controversial magazine of the sixties, is available for download over at Open Culture. Oz regularly featured work by such artists as R. Crumb, Germaine Greer, and many more.
"After years of reading, teaching, and writing about the book, though, I’ve come to believe that... our understanding of what is comic and what is serious in Huck Finn says more about America in the last century than America in the time Twain wrote the book." Andrew Levy writes for Salon about childhood, race, and "dedicated amnesia" in Mark Twain's controversial classic.
“The things I do not want to write about become the things I write about.” Year in Reading alumnus Eimear McBride talks to The Guardian on the occasion of her second novel's arrival. The Lesser Bohemians follows upon her hugely successful debut, A Girl Is A Half-Formed Thing, which we reviewed back when it came out in the U.S.