“’When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,’ Mr. George said. ‘It may simply come down to wisdom. Like the greats, Edith has it.'” Steve Almond gives an overview of Edith Pearlman‘s writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
“What Belongs to You is a haunting, gorgeous, and fierce debut, capturing desire in every sentence—holding the space of what we long for and what can never truly be ours.” The Rumpus reviews Garth Greenwell’s debut novel. To compare and contrast, pair with our review of the novel.
“On my manhood rests a tattooed / portrait of Mr. President. / My beloved found that out after we wed. / She was utterly gutted, / Inconsolable.” Poet Maung Saungkha may have to prove in a Myanmar courtroom that he doesn’t have a tattoo of the nation’s president on his genitals.
“[B]eing twelve is its own psychosexual dystopian satire, and I was not in on the joke.” Abbey Fenbert writes for Catapult about Aldous Huxley‘s Brave New World, reading-while-tween, and being a seventh-grade book censor. See also: our own brave editor-in-chief, Lydia Kiesling, on reading Huxley a week after last November’s election.
On the London Review of Books blog, Kaya Genç makes the case that the similarities between the successful Turkish author Elif Şafak’s work and Zadie Smith’s books is a fact of Turkey’s shifting cultural values rather than plagiarism: “Istanbul, the city Shafak returned to after writing her book in London and the setting for many of her earlier novels, resembles London more and more.” For a bit of context, here’s Lydia Kiesling’s rundown of the initial scandal.