If you know that Patricia Highsmith wrote The Talented Mr. Ripley, you know that she’s an exceptional authority on the workings of the criminal mind. At The Paris Review Daily, Dan Piepenbring digs up an old interview with the author, in which she describes the act of murder as “the opposite of freedom.” You could also read Tana French on Highsmith’s Strangers on a Train.
Dark Thoughts
They Put a Spell on Her
“Maybe I could find some peace there, or a husband. Maybe it would be like going home.” Katherina Grace Thomas writes for Guernica about Nina Simone‘s three beautiful years in Liberia during the 1970s. See also: Bill Morris on the Hollywood biopic.
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Gothic Roots
“If Gothic literature had a family tree, its twisted gnarled branches chock-full of imperiled, swooning heroines and mysterious monks, with ghosts who sit light on the branches, and Frankenstein’s monster who sits heavy, with troops of dwarves, and winking nuns, and stunted, mostly nonflammable babies, at its base would sit Horace Walpole’s The Castle of Otranto.” Carrie Frye writes for Longreads about the history and personality behind the first Gothic novel, which turns 250 this year.
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Adventures in Journalism
Bono and Bob Geldof guest edited Monday’s issue of the Globe and Mail newspaper in Toronto.
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POC Destroy Fantasy
Heads up! Fantasy Magazine is looking for submissions for their special issue, “People of Colo(u)r Destroy Fantasy.” Per the guidelines: “We’re looking for original, unpublished fantasy stories of up to 7500 words written by People of Colo(u)r. The stories can be set in this world with fantastical elements or they can take place in another world entirely. Please avoid timeworn cliches like the White Savior, the Magical Negro, and the Woman Who Is Only A Sex Object.”
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“Neglect everything else.”
“I’ve got to be writing. I have a few ways to make sure I can carve out time. Part one: Neglect everything else. Part two: Get disciplined.” David Mitchell writes about writing and the poetry of James Wright for The Atlantic. Pair with his story in tweets, “The Right Sort,” and Brian Ted Jones‘s Millions review of The Bone Clocks.
The Headless Horseman
“Every culture has its monsters,” and Jason Diamond writes about the Headless Horseman and one of the oldest American horror stories for Electric Literature.
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Artists and Writers Protest at TIFF
1,500 writers and artists signed a protest letter, “No Celebration of Occupation,” against the Toronto International Film Festival’s decision to spotlight the city of Tel Aviv. (from Democracy Now)
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Light Fare
Sometimes, it’s easier to read or watch something that’s light and airy, as opposed to seeking out art that challenges your perspective. Millions contributor Fiona Maazel generally thinks of herself as a person who instinctively chose nuance over breeziness. But lately, she’s had to ask herself a tough question — is she actually more attracted to the anodyne?
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