“His books are not only obviously produced by an obsessive film buff (as evidenced by one wry recurring trick, the dates in brackets that follow even citations of celluloid ephemera), they often seem to want to be movies, as shown by another signature device, the way his protagonists – from the 1890s European spies and 1950s New Yorkers in the interwoven narratives of his debut, V. in 1963, all the way to Inherent Vice and Bleeding Edge in 2013 – break anti-naturalistically into song like characters in musicals.” An argument that Thomas Pynchon writes fiction tailor-made for the cinema.
We fully expect all Christmas-observant Millions readers to have gifted (and received) at least one book this week. The Toast expects the same of their readers, and have provided a very handy key to choosing and/or deciphering passive-agressive literary presents.
“When she got to a passage in the book about a ‘slump,’ she looked at the children and said, ‘So sometimes you don’t feel good, right? But then – what do you do?’ The children waited.” Via Slate’s Katy Waldman, a look at the world’s greatest pool report.
Move over, Mr. Darcy and Edward Cullen: The readers of Mills & Boon romance novels (the UK’s answer to Harlequin romances) have voted Mr. Rochester of Charlotte Bronte‘s Jane Eyre the most romantic hero in literature.
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