“His books are not only obviously produced by an obsessive film buff (as evidenced by one wry recurring trick, the dates in brackets that follow even citations of celluloid ephemera), they often seem to want to be movies, as shown by another signature device, the way his protagonists – from the 1890s European spies and 1950s New Yorkers in the interwoven narratives of his debut, V. in 1963, all the way to Inherent Vice and Bleeding Edge in 2013 – break anti-naturalistically into song like characters in musicals.” An argument that Thomas Pynchon writes fiction tailor-made for the cinema.
Across the Screen
The Perils of Word Aversion
Moist-haters, unite: why do some people despise the sound of certain words?
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Cinderella, as Told by Rebecca Solnit
Rebecca Solnit gives the classic and rather dated tale of Cinderella an empowered, nuanced update that examines cultural myths about measures of prosperity.
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Pickwick Posts
Joshua Cohen, author of the recently published Book of Numbers, will begin writing a serialized, twentieth-century version of Charles Dickens’ Pickwick Papers live and online next week. Beginning October 12 at 1pm, viewers can watch Cohen spend five days reimagining the book and will be able to offer criticism that may affect the ending.
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Know The Rules Before You Break Them
Point: Dan Chaon believes younger writers should read more contemporary writing before attempting to be published themselves. Counterpoint: J. Robert Lennon believes most contemporary writing is a waste of would-be writers’ precious time. TL;DR Version: Nathan Elwood notes that if writers “want to change the face of literary fiction … [they should] at least know what it looks like.”
Tigers on Your Tablet
“Calvin and Hobbes“ is going from print to digital. Now, you can read the strip of the boy and his famous tiger as a series of e-books: The Essential Calvin and Hobbes, The Authoritative Calvin and Hobbes, and The Indispensable Calvin and Hobbes.