You may have read Darcey Steinke’s Year in Reading piece, or perhaps one of her articles here at The Millions. Or else you might have read — or at least heard about — her recent novel, Sister Golden Hair. Either way, you should read this interview at The Rumpus, in which she talks about Virginia, femininity and books that have too much plot.
In the first two lines of a piece in the latest New Yorker about the Alaskan poet Olena Kalytiak Davis, Dan Chiasson points out that her new book, The Poem She Didn’t Write and Other Poems, has an undeniably excellent title. In describing her appeal, he says that her submissions to the canon are “anti-submissions,” by which he means that she actively rejects association with more famous poets. “Davis’s professed unworthiness is one of many tricky manifestations of her ambition,” he writes.
The “good bad guy” has been having his moment on television. From Don Draper to Tony Soprano, America loves the anti-hero. Here’s a look at some literary anti-heroes from over at Ploughshares. You are likely to either agree with or be enraged by this essay from The Millions on likeability in fiction.
Isotropic Films has begun filming a “fresh, modern horror [film] version” of Franz Kafka’s The Metamorphosis. At The New York Review of Books, Mark Harman offers a new translation of the late author’s “A Message From the Emperor,” which Harman calls “hauntingly oblique.” Further away still, Elif Batuman recognizes some Kafkaesque street signage in Turkey.