Recommended reading: Wil S. Hylton profiles Laura Hillenbrand and the effects of chronic fatigue syndrome on her writing in a piece for The New York Times Magazine, just in time for the release of the film adaptation of Unbroken.
We’re thrilled by the early buzz surrounding Epic Fail, our first Millions Original eBook. You can learn more about the project courtesy of The New York Times, The Los Angeles Times and Teleread. Of course, you could learn even more about the project by purchasing a copy of the book.
Tired of reading Mark O’Connell’s articles in silence? Check out his two pieces in The Racket, the first of which features attached audio from the author himself, and the second features an embedded video with Sam Bungey, the publication’s editor. Consider Mark’s reading Exhibit B in the case for Irish Accents Improving Everything, which I brought forth last week.
Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
Martin Scorsese is finally making a movie without Leonardo DiCaprio. He and David Tedeschi are working on a documentary about The New York Review of Books. It will cover the publication’s history and feature new footage of Joan Didion and Michael Chabon, among others. The film is a work in progress but will premiere at Berlinale next month.