Recently rediscovered: a comic libretto by Raymond Chandler titled “The Princess and the Pedlar.”
The Princess and the Pedlar
Talk About That
“Here is a fascinating conundrum: The creator of a scientifically delegitimized blueprint of the human mind and of a largely discontinued psychotherapeutic discipline retains the cultural capital of history’s greatest playwright and the erstwhile Son of God.” On Freud.
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Poetic Prayer
“I’m interested in character. I’m especially interested in how language—story, memory, names, word choice—reflects and reveals character. The language of the Catholic Church—the liturgy, the prayer, the gospels—was in many ways my first poetry. ” Year in Reading alumna Alice McDermott discusses her short story, “These Short, Dark Days,” published in the latest The New Yorker.
Sex and the City Prequel
For those who just can’t get enough of Carrie Bradshaw, Candace Bushnell‘s latest: The Carrie Diaries. And some coverage of the book at USA Today.
Rowling: Billionaire, Petty Criminal, Both?
J.K Rowling is a vandal! The billionaire and author of the Harry Potter series left her mark in an Edinburgh hotel room when she scribbled some graffiti on the back of a decorative bust back in 2007. “J.K. Rowling finished writing Harry Potter and the Deathly Hallows in this room on 11 Jan 2007,” it reads. Oh, I suppose that’s okay.
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Tuesday New Release Day: Perotta, Johnson, Pelecanos, Torres, Fonts, Murray
New this week: The Leftovers by Tom Perotta, Train Dreams by Denis Johnson, The Cut by George Pelecanos, Justin Torres’s debut We the Animals, and Just My Type: A Book About Fonts. And new in paperback is Millions Hall of Famer Skippy Dies by Paul Murray.
Long Memory
When Damien Searls first read W.G. Sebald, he thought the German writer was uniquely good at factoring historical circumstance into his thinking. Sebald’s unyielding reminders of the horrors of the past were a nice corrective to the feel-good pablums of the ‘90s. But reading Sebald now, Searls thinks something has changed. What happened? The world went online. (Related: Greg Walklin on Sebald’s A Place in the Country.)
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Talking with Makkai
BOMB Magazine sits down with Rebecca Makkai, author of Music for Wartime and The Hundred-Year House. “People love to underrate plot, because it makes them sound like they’re beyond it, like plot is best left to Danielle Steele.“ For more Makkai, check out our interview with her.
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