Recently rediscovered: a comic libretto by Raymond Chandler titled “The Princess and the Pedlar.”
The Princess and the Pedlar
“Perfect translation … is of course impossible.”
Ever wonder how Google Translate works? Now you know. These two pieces (one and two) on Lydia Davis‘ translation of Madame Bovary are worth revisiting, too.
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OK, this is complicated
Nigella Lawson, British domestic goddess and former book critic, seems to have offended her novelist friend Sophie Waugh in a move reminiscent of the beginnings the hallowed hissy fit between V.S. Naipaul and Paul Theroux.
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Casting Call
“Marta Reale, 10, her smile broad, her bangs blanched, made her way to a recreation center’s doorway through the dense crowd of other children, sunlit cigarette smoke and mothers fanning themselves on the seats of scooters. Above her, more children were hanging out the window, and above them, more were crammed onto a balcony.” Jason Horowitz files from Naples, Italy for The New York Times about a casting call for HBO’s upcoming adaptation of Elena Ferrante‘s My Brilliant Friend, noting that it “has already drawn 5,000 children, the vast majority of whom have never heard of Elena Ferrante, and injected a mix of hysteria and hope into parts of Naples that are poor in resources but rich in real characters.” Pair with this piece about The Neapolitan Quartet‘s scope and impact.
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“The source of sexual power is curiosity, passion.”
Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.
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“God put the needle on the disc of Saturn / The record he played revealed blueprints and patterns”
GZA has teamed up with top cosmologists and physicists from MIT and Cornell to produce his latest album, Dark Matter. The album is the first in a series “designed to get a wide audience hooked on science.”