“These poets foreground elaborate and mythically transgressive evocations of eros in which stylistic excesses counter the violent excesses of homophobia and racial marginalization. The queer Baroque is, fundamentally, a poetry of radical ambivalence.” On Prelude to Bruise by Saeed Jones.
"Although I didn’t realize it at the time, I myself was no stranger to being othered." Over at The Literary Hub, Carla Bruce-Eddings recounts some reading lessons from her teenage self. For a bit of perspective from the other side, here's our own Nick Ripatrazone on teaching high school and college.
“As a speaker of a small language, it can be alarming to hear the rapidly increasing influx of new words from a dominant force. Back in 2000, linguistics researcher Sylfest Lomheim caused upheaval by claiming the Norwegian language wouldn’t survive the next century. Is this the beginning of the end?” On the Anglicization of Norwegian.
It has become increasingly common for publications to charge a fee upon submitting work. According to The Atlantic, this practice spells disaster for the writing community at every level. Quit paying out to big journals and just charge yourself the fee instead–here’s a piece on the efficacy of self-publishing.
"I am not influenced by books. Instead, I am shaped by them. I am made of flesh and bone and blood. I am also made of books. " Roxane Gay, author of An Untamed State, which we reviewed here, and Bad Feminist, takes a new, thoughtful spin on a Facebook trend in an essay for BuzzFeed.
Over the weekend, Canada’s National Post ran a book review by our own Michael Bourne, who contributed a piece on Bright Lights, Big City this week. In the review, Michael reads Thomas King’s The Back of the Turtle, which he says reaffirms the rule that bad guys are always more interesting.