Last week, Emily Gould recommended Nell Zink in her Year of Reading piece, extolling Zink’s novel The Wallcreepers as a “funny, profane, [and] deeply weird book.” At The Paris Review Daily, Matthew Jakubowski interviews the author, who talks about living in Germany, reading too much Kafka and writing for Jonathan Franzen.
“Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once.” In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion’s writing career, her “imaginatively seductive” nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
The Allen Ginsberg Estate supports a regularly updated blog called The Allen Ginsberg Project. I recommend reading it. Here’s a gem of a conversation between the late poet and a student over those delicious, sweet and cold plums in William Carlos Williams’s “This is Just to Say.”