Last week, Emily Gould recommended Nell Zink in her Year of Reading piece, extolling Zink’s novel The Wallcreepers as a “funny, profane, [and] deeply weird book.” At The Paris Review Daily, Matthew Jakubowski interviews the author, who talks about living in Germany, reading too much Kafka and writing for Jonathan Franzen.
Tales of a Onetime Construction Worker
Best (and Worst) Book Trailers
Melville House announced its Moby Award winners the week for book trailers in a number of serious and silly categories. (Full disclosure: I was a judge)
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Known Knowns
Literary fame is a knotty thing. It’s hard to predict exactly who will be known for centuries, and why. William Wordsworth, for example, owes at least part of his fame to the Lake District, which started to use him in their tourist campaigns not long after his death. In The New Yorker, Joshua Rothman takes a look at H.J. Jackson’s Those Who Write for Immortality. Related: Gina Fattore’s recent essay on fame and money.
‘The Left Hand of Darkness’ Turns 50
Fifty years after the publication of The Left Hand of Darkness, Charlie Jane Anders reflects on the "guidebook to a place I desperately wanted to visit but never knew how to reach."
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Zazen!
Congratulations are in order for Vanessa Veselka: PEN American has awarded her debut novel Zazen the Robert W. Bingham Prize. I first heard about the novel last year, from what was then the brand-spanking-new LARB, though this Minnesota Public Radio profile of Veselka is also a great way to get acquainted with her exciting talents.
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Punctuate With Extreme Prejudice
Noreen Malone – writing in Slate – launches a rearguard action against the em-dash. Is it fair to harbor punctuation prejudice? If so, a confession: I can’t stand the ampersand.
There Now
It’s fitting in a strange way that the author of Being There is now the subject of an oddball novel-turned-biography. In the Times, Benjamin Markovits reads Jerome Charyn’s book Jerzy, which gives the life of Jerzy Kosinski a treatment he’d likely appreciate.
Reel Results
Hanah Anderson and Matt Daniels analyzed two thousand screenplays for their representation of gender and age. Check out their data here. Pair with a recent piece from our own Bill Morris on the Hollywood biopic.
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Much Ado about Queneau
To commemorate publication of the 65th anniversary edition of Raymond Queneau’s Exercises in Style, New Directions has asked ten contemporary writers to “create new exercises in homage to Queneau.” Over at The Rumpus, you can check out Jonathan Lethem’s “Cyberpunk” exercise, as well as one of Queneau’s twenty eight “never before translated” exercises making its English debut in the new edition. Bonus: read our own Mark O’Connell on the “radical claims about the relationship between form and content” in Queneau’s writing.