Last week, Emily Gould recommended Nell Zink in her Year of Reading piece, extolling Zink’s novel The Wallcreepers as a “funny, profane, [and] deeply weird book.” At The Paris Review Daily, Matthew Jakubowski interviews the author, who talks about living in Germany, reading too much Kafka and writing for Jonathan Franzen.
Tales of a Onetime Construction Worker
How Do You Like Your Copy?
Lit Hub has brought Benjamin Dryer and Mary Norris together to discuss their love of editing, copy mistakes writers often make, and more.
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Milton’s Shakespearean Marginalia
In a copy of Shakespeare's first folio, researchers found a hand-written annotation by none other than Paradise Lost author John Milton.
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Literary Icons Interview Each Other
Year in Reading alum Margaret Atwood interviews Louise Erdrich. They discuss Canada, reproductive rights, their hopes for the future and writing messy characters in a dystopia. Find it in Elle.
Russian Slapstick
“Russian humor is to ordinary humor what backwoods fundamentalist poisonous snake handling is to a petting zoo. Russian humor is slapstick, only you actually die.” Ian Frazier writes about the strange humor of Daniil Kharms for the New York Review of Books.
Didion’s Perfect Synthesis
“Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once.” In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion’s writing career, her “imaginatively seductive” nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
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Ginsberg on Williams’s Plums
The Allen Ginsberg Estate supports a regularly updated blog called The Allen Ginsberg Project. I recommend reading it. Here’s a gem of a conversation between the late poet and a student over those delicious, sweet and cold plums in William Carlos Williams’s “This is Just to Say.”
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The Modern Memoir
Recommended Reading: On the memoir, “the offspring of the slave narrative,” as a literary form from the Black tradition. Recent examples range from Ta-Nehisi Coates and Margo Jefferson to Clifford Thompson and Rosemarie Freeney.