“If I could paint or compose music, I would want to finally arrive at what I felt was beauty for me and for others. I would trust that if I could make something that was beautiful, it would also be true, the way Charlie Parker is true or a Shostakovich cello concerto is true, and I feel the same way about writing. I try to make something beautiful out of language.” Fogged Clarity interviews Stuart Dybek about the writing process and Ecstatic Cahoots, which we mentioned in our 2014 Book Preview.
Something Beautiful
“Emotion, said the monk, is like a storm”
[Very Quick] Recommended Reading: “Negative Emotions” by Lydia Davis
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Take Three
You may have read our review of Kazuo Ishiguro’s new novel The Buried Giant. You may also have read our own Mark O’Connell’s review at Slate. For another opinion, you could read James Wood, who writes about Ishiguro’s “prose of provoking equilibrium” in the latest New Yorker.
Chapter One: Open a Savings Account
Tom Jenks, co-founder of Narrative Magazine (which charges writers $23 to submit), is releasing a 400-page, six-chapter craft book on the art of imaginative fiction titled A Poetics of Fiction. The information inside the book is billed as “more than useful—it’s essential and not readily available anywhere else”—maybe that’s why it retails for $225.
Tuesday New Release Day: Wolitzer, Aciman, Berg, Brennert
New this week: The Interestings by Meg Wolitzer, Harvard Square by André Aciman, Tapestry of Fortunes by Elizabeth Berg, and Palisades Park by Alan Brennert.
Selfie Sadism
Did David Foster Wallace predict our anxiety over selfies? At The Wire, Danielle Wiener-Bronner argues that Wallace was prescient in Infinite Jest. Although videophony, his concept of video-chatting, isn’t the same thing as a selfie, the paranoia over looking good is strikingly current. “This sort of appearance check was no more resistible than a mirror. But the experience proved almost universally horrifying. People were horrified at how their own faces appeared on a TP screen.”
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“Murakami, who is nothing if not ambitious, has created a kind of alternative world, a mirror of ours, reversed.”
Though coverage of Haruki Murakami‘s 1Q84 has been ubiquitous this month (appearing on this site as well), it is always worthwhile to read the inimitable New York Review of Books‘ take on such things.
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