In the first two lines of a piece in the latest New Yorker about the Alaskan poet Olena Kalytiak Davis, Dan Chiasson points out that her new book, The Poem She Didn’t Write and Other Poems, has an undeniably excellent title. In describing her appeal, he says that her submissions to the canon are “anti-submissions,” by which he means that she actively rejects association with more famous poets. “Davis’s professed unworthiness is one of many tricky manifestations of her ambition,” he writes.
Our friends at The Common have organized a Postcard Auction, and you have until May 20 to bid online. Users can bid on the chance to have well-known authors – such as Adam Johnson, Téa Obreht, Chris Ware, and Kiese Laymon – send handwritten postcards to the address of their choosing. Come on, now. This is your chance to get a handwritten note from an Orange Prize-winner.
Penelope Fitzgerald has been getting a lot of attention lately, largely due to Hermione Lee's newest biography. In an article for the Paris Review, Bridget Read considers the impact a better understanding of Fitzgerald's life could have on her modern reputation, and argues that "it is not extraordinary that she became a prize-winning novelist, though you may have heard otherwise. ... It is vital to emphasize that Fitzgerald’s novels were not achieved in spite of her domestic life; they were borne directly out of it. Her work is radical in that it suggests that, in fact, a feminine experience, a liminal experience, might be better equipped than a male one to address the contradictions of human existence taken up by the greatest literature."
"I can't control the kittens. Too many whiskers! Too many whiskers!" A woman writes down everything her husband says in his sleep. Why isn't this on Twitter? (via attackattack.tumblr.com)