“It has been said of the Beatles that there is not a clunker of a song in their oeuvre because they simply never let the bad stuff get released. The same might be said of Nabokov—for ‘Camera Obscura’ shows that he was indeed capable of writing a second-rate novel. (He knew it, and rewrote it.)” John Colapinto looks at Nabokov‘s retranslation of Laughter in the Dark for The New Yorker.
Nabokov’s Retranslation
Real Life Rosebud
Last month, we got the gossip from Orson Welles. This month, the dirt is about him. His first film, Too Much Johnson, was recently rediscovered in Italy.
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End Notes from the Master
University students: I double dog dare you to use this David Foster Wallace end note generator to pad out your next term paper’s citations.
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Kindle Wins Christmas?
Amazon announced that on Christmas day it sold more Kindle ebooks than regular books (and that the Kindle is not the site’s most popular gift ever). Chadwick Matlin outlines at The Big Money the reasons why the Christmas day surge in ebook sales don’t matter. The New York Times suggests each new version of the Kindle may be getting worse, and separately dubs 2010 the “Year of the Tablet.”
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at the utmost limits of writing itself
Christian Bök wonders about the future of conceptual poetry:”How do we write poems in a world where a spambot, like @horse_ebooks, gets to write all the great lines…?”
Time Out of Mind
Are we now living in a golden age of the uncanny? The Millions contributor Porochista Khakpour suspects that we are, and she also suspects that our historical moment, populated as it is with alienating developments and surreal art, is key to understanding the work of Helen Oyeyemi. In the Times, Khakpour reviews Oyeyemi’s new novel. (You could also read both writers’ Year in Reading pieces.)
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