“It has been said of the Beatles that there is not a clunker of a song in their oeuvre because they simply never let the bad stuff get released. The same might be said of Nabokov—for ‘Camera Obscura’ shows that he was indeed capable of writing a second-rate novel. (He knew it, and rewrote it.)” John Colapinto looks at Nabokov‘s retranslation of Laughter in the Dark for The New Yorker.
Nabokov’s Retranslation
And a Bomber Pilot
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The Peculiar Science of Hating The Beatles
At The Vulture, Nitsuh Abebe explains in seven steps how to do the impossible: convincingly hate The Beatles. It's not easy, by the looks of it.
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Say That Again?
Duncan Murrell has a new essay up on the Harper’s Magazine blog about how difficult it is for journalists to speak to their sources through interpreters. “I became concerned that my interpreters were not delivering my words in the way I delivered them and in precisely the way I meant them,” he writes.
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Moonlighting as Ian Fleming
It’s rare that you find someone as eclectic as William Boyd. Not only did the British writer's new play (based on two of Chekhov’s short stories) debut in London this week, his upcoming novel will star none other than James Bond. (If you're wondering, his friend Daniel Craig is not how he pictures the superspy.)
Mislabeled
Can writers transcend race? LaTanya McQueen argues that labeling fiction as minority gets in the way of the story at The Missouri Review blog. Also, see our essay on the racial and gender barriers in the publishing industry.
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The Tournament of Books Declares a Winner!
The Tournament of Books declares a winner! It was down to two in the last round: Jonathan Franzen's Freedom (called "big, messy, flawed, enraging, and engrossing" by C. Max Magee, one of the final round judges) and Jennifer Egan's A Visit From the Goon Squad (which "ached with feeling and tension...") Find out who won at The Morning News!
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