“The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA.” Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel‘s look at “Working the Double Shift.”
Who’s the official Zombie Apocalypse Preparedness Officer at your place of work? You mean you don’t have one? Well, get on that promptly. The Center for Disease Control advises that “If you are generally well equipped to deal with a zombie apocalypse you will be prepared for a hurricane, pandemic, earthquake, or terrorist attack,” so you might as well kill five birds with one stone.
Terrible sex writing spans the globe according to this year’s Bad Sex Award shortlist. It includes: My Education by Susan Choi, The Last Banquet by Jonathan Grimwood, House of Earth by Woody Guthrie, Motherland by William Nicholson, The Victoria System by Eric Reinhardt, The World Was All Before Them by Matthew Reynolds, The City of Devi by Manil Suri, and Secrecy by Rupert Thomson. The winner will be announced on December 3.
“I realize that, like most fantasies, reality is likely to be more complicated. For starters, literary communities—like most communities—have echelons. They have cliques; they have ghettos. You are the wrong age, work in the wrong genre, don’t know the right people, don’t teach at the same program … Anyone who thinks this isn’t true is someone squarely at the center of his or her chosen circle.” On peripherality and the uncertain nature of literary community.
In honor of Women in Translation month, The Guardian asks 10 female translators and writers about the work that inspires them, with answers ranging from Visitation by Jenny Erpenbeck to Valeria Luiselli’s The Story of My Teeth, which we reviewed when it came out in the States. Pair with this survey of the work of Argentine writer Leila Guerriero.