Penelope Fitzgerald has been getting a lot of attention lately, largely due to Hermione Lee‘s newest biography. In an article for the Paris Review, Bridget Read considers the impact a better understanding of Fitzgerald’s life could have on her modern reputation, and argues that “it is not extraordinary that she became a prize-winning novelist, though you may have heard otherwise. … It is vital to emphasize that Fitzgerald’s novels were not achieved in spite of her domestic life; they were borne directly out of it. Her work is radical in that it suggests that, in fact, a feminine experience, a liminal experience, might be better equipped than a male one to address the contradictions of human existence taken up by the greatest literature.”
The Millions is delighted to welcome new staff writer Il'ja Rákoš, whose deep dive into the work of László Krasznahorkai publishes today. He is the author of an essay collection in Ukrainian, Os' Khristianska Vira, and has previous published an interview with and appreciation of Nobel laureate Svetlana Alexievich at the site. He lives in Kyiv.
A Columbia University course that has taught generations of bright-eyed would-be Maxwell Perkins the ins and outs of the New York publishing biz has had to retool its curriculum to account for the e-book phenomenon, the New York Times reports.
The short shelf of books written by Jane Austen has been recently supplemented by many imaginative efforts--Jane Austen as an amateur detective, and several works depicting Austen characters (or Jane herself) as a vampire, a zombie or some other Gothic monster. So what's next? Death Comes to Pemberley by P.D. James is Pride and Prejudice continued.