“What is the value of a book cover if fewer and fewer people shop at bookstores?” Nicholas Blechman wonders about the purpose of the book cover at The New York Times Book Review, but he also rounds up some of the best covers of 2014, including the design for Eimear McBride‘s A Girl is A Half-Formed Thing (Millions review here, McBride’s “Year in Reading” here).
“Literature can use secrecy as a device to ensnare readers, to pull the wool over their eyes or to reveal to them things that the characters can’t see. Whether large – businessman by day, serial killer by night; or small – where a character silently yearns for an ex-lover.” Eli Goldstone compiles a list for The Guardian of 10 novels whose characters are concealing big secrets, including a few lesser-knowns like Shirley Jackson‘s We Have Always Lived in the Castle and New Finnish Grammar by Diego Marani.
“Part of the allure of Bosnia for westerners, I think, has been the surprising nearness of the East. To put it more bluntly, and problematically: in Bosnia the East is tamed, less scarily dogmatic.” Elvis Bego draws a parallel with Madame Bovary at Bookslut.
“On the outside, she was immaculately poised, always elegantly dressed, with perfectly cut, silver hair; witty, brilliant company, properly opinionated, impatient with compromise or cant, what the book blurbs called ‘fiercely intelligent.’ But this came at a cost.” Jenny Diski‘s husband, the poet Ian Patterson, remembers his wife for The Guardian.